In "Those Bastards" Simon Armitage writes about the fear that upper classes have upon working class revolt. Ccompare this theme with one of Duffy's poems.

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In "Those Bastards" Simon Armitage writes about the fear that upper classes have upon working class revolt. Ccompare this theme with one of Duffy's poems.

Carol Ann Duffy and Simon Armitage are both modern poets with liberal visions of the world. This is indicated in such poems as "Education for Leisure" and "Those bastards". Although the key theme of those both poems are social divisions, the lower class personas have different attitude to elites, take different actions and have slightly different emotions. Overall, Duffy and Armitage presented two types of socially excluded people and indicated why upper classes are scared of their behaviour.

        First of all, the idea of working-class revolt is linked in both poems with the image of killing. In "Education for Leisure" the voice states at the end: "I get our bread-knife and go out./The pavements glitter suddenly. I touch your arm". This means that the persona touches you with a knife in order to kill you. Duffy faces in this passage reader directly by using the pronoun "you" in order to show that everybody can be harmed by the working-class. Duffy also indicates that when working-class rebel they get easily excited - "the pavements glitter". The use of short "i" in the word 'glitter' emphasizes this state.  Moreover, those two devices have an intimidating effect on the reader and as a result we can easily feel why elite is scared of working class revolt - they can be overthrown by violence and everything can happen suddenly, without the time needed to defend yourself. In "Those bastards" the image of killing is emphasized by using an aggresive word - "shriek". The combination of sharp "sh", "r" and "k" makes us feel disturbed and unpleasant. Simon Armitage indicates in using such word that the persona hates upper class and wants to kill them and destroy their lives, therefore the upper class is scared of the revolt (they do not want to loose their lives).

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        Besides this, although both of the poems concentrate on ruining somebody's life, in "Education for Leisure" the voice really is killing whereas in "Those bastards" he merely imagines his crime. The fact that in Duffy's poem the voice in fact harms indicates that the persona is truly fed up with his situation and boredom and now he wants to be more active: "I have had enough of being ignored". By the long "o" in the word "ignored" we can feel that the disregard had taken place really long and as a result the voice has to try to be on ...

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