Artist, Wassily Kandinsky.

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In the 19th Century, paintings were very structured. Artists painted what they saw. Knowing this is what the public expected, Wassily Kandinsky began his abstract painting in a way in which others could still distinguish features such as his most recurrent subjects such as mountains, villages, trees and churches. I feel Kandinsky was trying to fulfil what the public wanted rather than fulfil his own needs as an artist in the early years as a painter.

In 1908 Kandinsky made the life changing decision to move to Marnau, where he concentrated on his painting. Here is where he explored the areas in painting which neither he or anyone else had ever touched upon. In Kandinsky’s earlier landscapes, although we do see a freer composition style, with passionate outbursts of colour I do not believe he had been painting in his true style. At this time, Kandinsky still favoured a more structured way of painting. But we do often, more regularly in his later paintings, see examples of shapes moving freely in space. Kandinsky’s colourful palette is based on the primaries, red, yellow and blue.

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Kandinsky continued to paint recognisable compositions for a number of years. Paintings such as ‘Couple Riding’ in 1906. And ‘Beach Baskets’ in 1905. Working alongside well known artists such as Cézanne, Gauguin and Van Gogh. It is easy to look at Kandinsky’s progress towards abstraction by looking at his work between 1908 and 1912. Recognisable paintings turn into completely independent compositions. Mountains and trees become lines and curves. Animals and buildings become fantastic figures. Colour loses its illustrative function. As his forms and colour become more independent, the topic of painting becomes less important. In his autobiography, Kandinsky wrote, ...

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