Why and How have later authors and artists been so strongly influenced by Ovid's Metamorphoses

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Why and How have later authors and artists been so strongly influenced by Ovid’s Metamorphoses  

As anyone who has read Ovid’s Metamorphoses will know that because of his style of writing and the way he manages to link two stories, that are not even remotely related, together and makes it seem as if one is a follow up to the other; that they have been in some way influenced by him. The Metamorphoses has not just influenced people because of the way it is written, but it is also a wonderful collection stories. Most of the examples in this essay of the authors and artists that are or have been influenced by the Metamorphoses have been taken from Book VII and Book VIII.

George Fredrick Watts’, an artist who lived from 1817-1904, painting ‘The Minotaur’ portrays the Minotaur with sympathy.

 

Ovid’s very brief account of the Minotaur and how he came to his end, Ovid describes him on page 183, Book VIII:

“…there Minos imprisoned the monster, half-bull, half-man, and twice feasted him on Athenian blood…”

Watts has evidently used Ovid’s description of the beast, above as inspiration when he was planning the design and what the painting will be trying to convey to people once it is completed. Watts must have been so inspired by such tiny detail in the book and this may have made him go against the traditional view of the Minotaur. The message that Watts is trying to get across to us, is that even though he is an abomination of mankind, he is still, to quote Ovid “half-man” and therefore he has the needs, feelings, and urges that all humans have; as well as the needs and urges of a bull. This is why in the painting the Minotaur is shown in a sympathetic light, but it also evident that the reason why he is looking out across the sea is because he is anticipating the arrival of his human rations from Athens. Even though it may look as if the creature is yearning to be free from the confines of the Labyrinth. Watts manages to make people, when they view the painting, feel sorry for the Minotaur and wishing that they could some how help him but also feel that they would never want to be in the same room as the Minotaur and peace of mind of knowing that he is safely trapped in the Labyrinth.

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Frederick Sandys’, another artist who lived from 1829-1904, painting ‘Medea’ portrays Medea, in my view, as being one who is having conflicted views of whether or not she is doing the right thing.

Sandys’ painting ‘Medea’ is depicting Medea performing a magical spell that will restore youth to Jason’s father Aeson; this is taken from the story of Jason and Medea. The story of Jason and Medea takes up a large portion of book VII from page 155 to page 163 and the story of Medea which lasts even longer from page 155 to page 166. ...

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