Antigone presents a rather perplexing and different aspect of her character on her second encounter with Creon, which makes it even harder to determine her original motivations and her primary desires.

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Antigone

Antigone presents a rather perplexing and different aspect of her character on her second encounter with Creon, which makes it even harder to determine her original motivations and her primary desires.

She appears, in the course of this encounter, to be repenting her hasty decision of burying her brother Polynices rather than sticking by her belief as the following lines convey-“ Denied my part in the wedding songs, no wedding song in the dusk has crowned my marriage.” This feeling is rather contradictory to her earlier speeches and convictions when she seems to be surer of her decisions and actions.

She also gives an impression here, to be almost desperate for fame and glory. Perhaps she considers these proofs of public applaud as just rewards for her sacrifice. This desire is evident from the annoyance she expresses, at being reminded of her mortal human status, when she feels herself to be at par with the Gods. This apparent conceit and arrogance is very clearly expressed in the following lines-“O you mock me! Why in the name of all my father’s Gods, why can’t you wait will I am gone-must you abuse me to my face?”

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She also rather blatantly, blames her entire family for her misfortune. She refers to the incest between her parents as “doomstruck” and calls herself “cursed” for being their “wretched child.” She accuses her brother-Polynices as well for ruining her life and destroying her marriage, as is evident from the following lines-“Oh dear brother, doomed in your marriage-your marriage murders mine, your dying drags me down to earth alive.”

She thus appears at this point to be a broken woman, pining for her lost marriage and disgusted at the death meted out for her, before her time.

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