Development of Resistance Against Creon

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Antigone: Development of Resistance Against Creon

By Charlie Nelson

        

        The play Antigone, by Sophocles, is the tale of a new leader who starts out with the respect and trust of his land but in the end looses it all.  According to the introduction, by Bernard Knox, “the play runs its course as a drama of developing resistance to Creon and his gradual condemnation on all hands.” This is the best description one can find about this aspect of the play. When the story begins, Antigone is the sole person lashing out at Creon’s harsh edict ruling that Polynices, who is Antigone’s brother, cannot and will not be given a proper burial. But as scenes unfold, we see the gradual development of mutiny against Creon, continuing with Haemon, Creon’s son and Antigone’s fiancé, and then with Tiresias, and eventually even the chorus will side with Antigone.

        Antigone begins this story by provoking her soon to be father in law, and through her actions cites what becomes somewhat a rebellion. As mentioned earlier, Creon passed a strict law that forbade anyone to burry Polynices (Antigone’s brother), who attacked Creon’s city. All persons who disobeyed this law were to be stoned inside city walls. Not in ignorance, but in full knowledge of the law, Antigone attempts to burry Polynices. When the news reaches Creon that Antigone has done this forbidden act, he questions her, asking if she knew of the law and if she really had committed such a terrible crime. Her reply: “I did it, I don’t deny a thing!”(492).  Thus are the beginnings of a small revolution. Later, while trying to bandy the chorus into taking her side, she asks, “Hasn’t Creon graced one with all the rights, disgraced the other?”(27-28).  As if this weren’t already enough to make it clear she is appalled at Creon and his new law, she questions to Creon’s face, “Dishonor the laws the gods hold in honor?”(91-92) Even when Creon finally realizes that she might have a good point, he still stays firm with her punishment sentence of death, but he instead decides to, “wall her up in a tomb” and to “leave her there, alone, where she can choose… death or a buried life with a good roof for shelter.”(972-974) Little does he know, however, that by insisting on Antigone’s sentence, he has created his own tragedy.

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        Haemon, Antigone’s fiancé is the next to turn bitter. When he hears of Antigone’s sentence, he goes immediately to the king, his father, Creon. A clever one Haemon is, for he at first tries to gently put it to his father that the people on the street speak only in pity and sorrowfulness of his beloved Antigone. When he attempts to rid Antigone of her sentence and this fails, things get a little rough. When told that Antigone’s sentence will remain no matter what, Haemon says to his father, “Death? She deserves a glowing crown of gold!”(782). This is ...

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