A Critic suggests that the source of the plays dramatic power lies in the presentation of “delicate illusions always on the verge of being shattered.” How far do you agree with this view of the play?

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A Critic suggests that the source of the plays dramatic power lies in the presentation of “delicate illusions always on the verge of being shattered.” How far do you agree with this view of the play?

   In the world of ‘The Glass Menagerie’ life is an illusion. Tom, Laura and Amanda are all fighting to separate themselves from reality and live in their own world. Jim O’Connor, the man who Amanda has set all of her hopes in as a husband for Laura, appears late on in the play as a brief glimpse of this reality they all seem to be hiding from,

   “From a world of reality that we were somehow set apart from.”

   Laura, living in her own withdrawn world with her glass figures, is the most fragile and delicate of the characters, and in herself provides a realm of delicate illusions almost ready to be shattered. When Laura’s unicorn figure breaks, her favourite one, the most unique one, we are being shown a symbolic shattering of Laura’s dream world. The man who, for a brief moment appeared to be her escape from her world of illusions, shatters this world.

   Amanda was brought up in the deep southern states of America and can’t seem to face life in a small inner city apartment. The picture of her long departed husband hangs in the apartment, almost as an ever present reminder of the initial shattering of their reality and beginning of the world in which they now life,

   “He is gallantly smiling…as if to say, ‘I will be smiling forever’”.

   Their father is the only one who is always smiling, the only one who can smile, the only one who left to follow his own dreams and desires. He was a man who looked to the future and was fascinated by technology,

   “He was a telephone man who fell in love with long distances.”

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   Amanda did love him and yet almost seems to resent him for leaving them all to fend for themselves, and leaving them to slip from reality into a world built on illusions.

   This lack of a man in Amanda’s life obviously has some sort of effect on her. Her stories of past admirers ‘seventeen! – Gentlemen callers’, show her love for living in the past. She obviously prefers it to reality and tells many, most likely exaggerated, stories of her youth. Amanda’s philosophy appears to be that a woman needs a man to be dependant upon, and so ...

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