A Fiend-like Queen

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Daniel Walker        12 February 2003

A Fiend-like Queen

At the end of the play Macbeth, Malcolm refers to Lady Macbeth as a “fiend-like queen”. In this essay I will discuss how accurate this description is. I will separate the description into its two parts – “fiend-like” and “queen”, and analyse each in turn.

Throughout the book, our perceptions of Lady Macbeth and our sympathy and empathy towards her change constantly. At the beginning of the play, when she is first introduced to us, we immediately perceive Lady Macbeth as a character who is not easy to excite, as she reads Macbeth’s letter that tells of the witches’ predictions. Even though she is pleased and fully believes that Macbeth will become King, she worries straight away about his lack of high ambitions, and thinks that he is too fair and kind to succeed as King. However, she immediately changes with the news that King Duncan will be staying at her castle that night, and becomes ruthless and excited, as opposed to the calm and gracious lady we were led to believe she would be when in his letter Macbeth refers to her as “my dearest partner of greatness”. Her ruthless side is shown as she quickly constructs a plan to murder Duncan, and works herself into an anxious frenzy. She calls upon evil spirits to take away her femininity and to “stop up th’access and passage to remorse”, creating bonds between herself and the idea of evil. This theme of evil runs throughout the play wherever she is involved, but is at some points overpowered by her sense of guilt and her conscience.

The idea of her being possessed by evil spirits to help her plan the murder of Duncan gives the impression that she has now become the Devil’s helper or consort, which can either show that the description “fiend-like” is correct, as she has become a human form of the Devil, or it could show that she has no control over her actions and words, as the Devil was controlling her. The play constantly comes back to theme of evil and the Devil, such as when the porter is talking to himself, imagining that he is the porter of hell. He suggests that if he were the porter of hell, he would have to open the gates very often, to admit people. Although this is a joke, and a slightly humorous part of the play, it brings back the idea of pure evil, and strengthens the idea that the evil spirits that Lady Macbeth called upon are indeed at work in the castle. Also, to further the impression that the Devil is at work over the entire castle, or even the whole of Scotland, Shakespeare never refers to the weather in a positive way, and the witches, who further the idea of evil controlling people’s actions, talk about the “foul and filthy air”.

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Shakespeare aligns Lady Macbeth with the three witches somewhat, and when he writes Lady Macbeth’s lines he uses images that are also associated with the three witches, and witchcraft in general. When Macbeth and Banquo meet the witches they cannot determine the sex of the creatures “that look not like th’ inhabitants o’ th’ earth, And yet are on’t” that they see before them. This ties in later with Lady Macbeth saying “Come you spirits That tend on mortal thoughts, unsex me here”, which casts doubt over her femininity, just as the witches are not quite female, but are ...

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