A post-modern adventure

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Original writing: Forest3

Chris Ashby

Progressing through the dense accumulation of deciduous growth could be observed a silhouette of slightly duller hue than the enclosing mass: to the imaginative beholder this signified the presence of a human male; to the rational spectator a large animal drifted erect through the woodland - any witness possessing an elevated outlook would query the plausibility of the attendance of ramblers and their onlookers in such an isolated situation as this; any cynic would have reservations concerning the ‘bear’s’ rucksack

The man, however, would have been receptive to the attendance of any hypothetical bystanders or the theoretical observers of hypothetical bystanders; probability wasn’t an issue to him at the moment: as his diminutive form contoured round the crowded multitude of flora any descriptive device would have been companionship enough. The coppice wasn’t remote by any means – a commonly tread path frequented by families with picnics and cyclists…with bikes; it was merely the hour which led it a sinister ambiance. The specificities of his geographical location were unfamiliar to him, as were the temporal and psychological aspects of his circumstance. All he recognized was that this was the liability of a disenchanted custodian in the ownership of aviation equipment.

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As far as he could remember he’d obtained a position in some band or other as a percussionist (not that he played percussion; he was purely a drummer ashamed of the connotations of that designation. He had struggled at the marimba once. However hard he blew down the tubes they just didn’t work). His father – a failed viola player who’d toured as a soloist with all the major western orchestras and plunged into a depression after hearing how much the 2nd violins earned – was insistent that he make a success of his career as a drummer; his mother didn’t ...

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