Analyse how Franco Zefferelli and Baz Lurhmann show the hatred between the Montague's and Capulet, which is so strong in the opening sequence of their film version of Shakespeare's Romeo and Juliet.

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Essay by Jennifer O’Brien   6th Form  - Hayesfield School  (27th Feb ’04)

Task

To analyse how Franco Zefferelli and Baz Lurhmann show the hatred between the Montague’s and Capulet, which is so strong in the opening sequence of their film version of Shakespeare’s Romeo and Juliet.

Introduction

Shakespeare’s  ‘Romeo and Juliet’ is a love story and a tragedy - one of his best known and well loved plays.   The plot is simple - boy meets girl they fall in love.  However the interpretations by different directors give a very different feel to each version because one of the films is older than the other.

My essay is about two film versions of Romeo and Juliet.  The first version is by Franco Zefferelli and the second version is by Baz Lurhmann each film has forty years difference in the making - the first version is made to look more realistic for the time it was in and the second version by Baz Lurhmann has used much more advanced technology in the surroundings.   Forty years ago you wouldn’t of seen sky- scrapers in Verona like we do in the 2nd version.

I will be comparing the similarities and the differences of both the prologue and the first scene in my essay.   I will be writing about the use of prologue, comparing why technical angles are used, commenting on colour and settings , background , music and sound, costume and props, dialogue,  action and a conclusion about how this affects the way the action is shown.

In the prologue of the first version of the film by Franco Zeffrelli the first thing that was eye-catching was a bright patterned orange border around the picture and a very long shot of the city Verona with a tower. The camera then quietly moved towards the sun in the sky, there was a big close up of the sun, the orange border goes and throughout that scene there was a man talking to us and even though we couldn’t see him we could still hear him.  The man sounded warm and gentle his voice was also serious but in my opinion he didn’t sound that sad even though Romeo and Juliet is a tragedy.   Then after the sun close- up fades the scene changes to a long shot of part of a castle and the words ‘Romeo and Juliet’ in white lettering appear on the screen.  

I think the prologue doesn’t have any extreme close ups  - which doesn’t give any dramatic effects.  I think Franco Zefferelli wanted to create a peaceful prologue because of the man speaking in that scene and the very long shot of the city of Verona with the camera moving slowly towards the sun, which is peaceful.  The next scene would than is a contrast to the business to the market place and the brutal between the two families.

This prologue of the second film version of Romeo and Juliet is totally different because of the far more advanced technology used.  In this 2nd film of Romeo and Juliet by Baz Lurhmann the first thing we see on the film is a black room with a TV in the centre.   The TV is fuzzy at first and then switches on to the news.   Then the camera takes a very long shot of the TV but when the TV switches on to the news the camera get closer and closer in till the camera takes a close up of the TV.   There is a lady new reporter who sounds very serious there is a picture of a broken ring in the corner of the TV that give us an indication of a broken marriage.  I think Lurhmann wanted the room to be black so we could focus all our attention on the TV.   As the camera gets closer we focus in more to what the news reporter has to say.   Black is also a very powerful colour as it can stand for death, evil, pain and sorrow which he may have wanted to include to link in with his film and story.

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Then the scene changes to a black background with the words ‘In fair Verona’ in white capital letters.   A man’s voice say the words - his voice is quite low and very serious when these word come up and there is also really loud music.  The music sounds very religious then the scene changes to a city with a big close up of Jesus then the camera goes straight into a long shoot of the city and statue.

 The man starts speaking again we still can’t see him.   The film then shows us lots of different ...

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