Analyse the first opening scene of Saving Private Ryan

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Saving Private Ryan is an academy award winning film produced in 1998 and directed by one of the best arguably known directors, Steven Spielberg. This film is particularly well known for its opening scene of approximately 25 minutes where it displays the invasion of the American army in the Omaha Beachhead in June 6th 1942. The plot relies upon the story of the ‘Sullivan Brothers’ where there were five brother and they were all killed in the incident of the sinking of the light cruiser in World War two. This subsequently brought up the Niland Brothers story, who were a group of four American brothers from Kenmore, New York serving in the military during World War II. Of the four, two survived the war, but for a time it was believed that only one, Frederick Niland, had survived. Frederick was sent back to the States to complete his service and consequently, Spielberg based his film on the brothers’ story where it was believed that a woman should not lose all of her sons in the war and if one survived, he would be sent back with his army duty competed.

Saving Private Ryan breaks some of the traditional conventions of the war film genre as it developed a striking and powerful opening battle sequence, showing realism of what the battle of Omaha Beach in 1942 was like. They had a realistic approach to the war films created in 1970’s by attempting to create the battle scenes greety and shocking while at the same time griping and emotional. Throughout film history, war scenes have been diluted and amended to prevent shocking images as it would produce a lack of audience due to the fact that people did not want to see what the war looked like exactly. Spielberg creates the scene so we can feel emotionally invested and drags our attention and at the same time using the same methods of the 1970’s films.

The reason why Spielberg does not start his film with the battle sequence and instead commences on a cemetery is to emotionally invest the audience and to establish pity for the character. In the opening scene, it initially starts with the elderly Jack Ryan walking towards Colllville Sur Mer which is a military graveyard. Jack Ryan chooses to visit the people who have risked their life to save him, so subsequently in devote of respect, Jack Ryan visited the cemetery to honour those soldiers. As he walks through the cemetery, his family is respectively holding back him giving him space and consequently symbolising respect for him.  

The scene primarily starts with an American flag to express regard and honour those whom fought and died bravely for their country. Spielberg utilized a desaturisation method to suck out the colour of the flag giving a brownish colour. This effect establishes realism to the film as it gives us the impression that it was old and perhaps filmed at the time. There is a uniform nature assembled in the funerary grounds to represent a team as every grave is of a similar pigment and of the same size. The tombstones have a cross for every Christian person and a Star of David for every Jewish person to represent respect for the soldiers’ beliefs and religion. Another method cleverly used by Spielberg is a panning sequence shot, which is a sequence of camera movements going up to shoot a wider range of the scene. It starts of in one grave and as it goes up it shows the whole cemetery with millions of graves. This establishes a shock on the audience as it gives a sudden realisation what of the effects of the war has caused upon millions of people. The first scene appears to be silent at the start with absolutely no dialogue is to enhance the effect upon the audience to emotionally attach to the character and feel for him as he is visiting the friends he had lost on the battle. It latter starts a military snore called a bugle. Consequently, this evokes an emotive feeling on the audience as this is a sound commonly utilized on the war to war soldiers of any circumstances, therefore it reminds people of the soldiers who have died in the war battles. The music is constantly increasing its volume and this filmographic method is called a crescendo. It established tension to the audience and the anxiety to see what is going to happen next. At the end of this scene the camera moves slowly towards the elderly Jack Ryan’s face and directs itself through the eye of the character. This was established to perform a transition from the present to the past and furthermore will be showing the next section of the film. This effect is adapted so we can feel as it we were looking through the eyes of the character and observing what he had seen on the battle. From the opening scene it instantly changes to the next scene by the application of this method and it gives a sense of anxiety to the audience as they are expecting the next scene.

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The following scene is the instant chaos of the D-day landing in the Omaha beach, France. The scene initially commences with the sound of the surf of the waves.  There is no music which established agitation to the audience as they would be anxious to see what happens after the ramp of the boat comes down. The first scene we see is the hedgehogs and as a result we percept that there is going to be a battle as the hedgehogs are anti-tank devices, hence symbolising violence. The first words we hear in this scene are the commands from ...

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