Are Shakespeare's characters still engaging to a young modern audience?

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Liam Harvey                                                                                                

Are Shakespeare’s characters still engaging to a young modern audience?

Shakespeare’s characters in Romeo and Juliet are multi-dimensional (true to life). This makes them more engaging to the audience; Shakespeare also uses stereotypes to add to the atmosphere of comedy and drama. Examples of multi-dimensional characters are Romeo and Juliet themselves; an example of a stereotypical character is Mercutio. He adds comedy and drama when he is stabbed in the fight scene.

Shakespeare shows violence and aggression with the use of swords. I think this is better than Baz Luhrmans interpretation where he uses guns. This in my eyes is too far and disengages me because any fool can use a gun. It takes at least some skill to wield a sword. The use of swords is more masculine, which is engaging.

The gentle reading at the start of the opening scene in Romeo and Juliet is more engaging than the news report in Baz Luhrmans because it adds to the atmosphere of lust when the play begins. Whereas the news report is too modern and occurs to regularly in normal everyday life to be engaging, this also takes away some of the original charm of the play. Original charm being the feeling the audience gets when the prologue is read. It engages the audience because they have to think about what is being said, and not just letting it drift into the sub-conscious, which happens when you don’t need to think about what is being said or done.  

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Romeo and Juliet are more engaging to me than West Side Story because of the musical present in it. The music I think masks the real feeling and message Leonard Bernstein is trying to get across. I realise that this is an old film and it may have been engaging to my granddad, but now the true feeling behind the song is hard to distinguished, especially to a young modern audience. We as young people don’t have the attention span, or ability to concentrate for a long period of time anymore. The fact that in West Side Story the ...

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