Assess The Character Of Prospero. Has Your View Of Him Changed After Reading This Scene?

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Assess The Character Of Prospero.

Has Your View Of Him Changed After Reading This Scene?

Prospero appears in the play early on in the second scene. After the exhilarating beginning to ‘The Tempest,’ his daughter Miranda and himself bring about a calmer atmosphere, Shakespeare has intended to do so, to the extent that he has converted the language into verse for these characters. Miranda especially expresses a flowing and poetical image where she tries to portray herself as a helpless and weak girl ‘O, I have suffered.’ Some sentences are linked to add to this affect ‘th’ welkin’s’ overall her reflection creates an outline of Prospero’s character, as he is her father. By examining the detail of characters with some connection to Prospero, like Miranda and Caliban for example, makes it simpler to assess his character. For the reason that the way he acts around different people shapes his personality.

Prospero’s name means ‘fortunate’ or ‘prosperous’ which is worth taking into account when studying aspects of his character. I should consider whether he uses his powers wisely and humanely or selfishly, as this will uncover a larger proportion of his hidden personality. My original opinion of Prospero was that he has a significant role in the play.  Immediately he acts powerful even towards his daughter, ‘naught knowing of whence I am, nor that I am more better.’  He is implying she knows nothing and urges her to calm down as the tempest was for her sake. Prospero is also demanding, ‘sit down’ plus feminist criticisms are noticeable at this time. They would argue that Miranda is being put down and that her status is too low in comparison to Prospero’s. Again, and still only just into the scene, Prospero is coming across as a commanding character ‘obey and be attentive.’  He speaks for Miranda in some cases, he asks her- what do you remember form your childhood, yet before she has time to completely respond, he is condescending towards her and assumes she doesn’t remember much at all. It is largely of consequence that we recognise the fact Prospero talks of his past. He reminds Miranda, (therefore the audience also) of his importance and status he once had in Milan. In my opinion this reveals and confirms a feature of his character that will not change throughout the play. He lost his Dukedom because he failed to recognise his brother’s ambition and because he neglected his first duty, the governing of Milan. As he himself tells Miranda, ‘the government I cast upon my brother, And to my state grew stranger, being transported and rapt in secret studies.’  I think this honesty of Prospero illustrates that however authoritative and serious he acts he is willing to be sincere in this situation and face reality, he knows he made mistakes. His treatment by his brother, Antonio, has taught him not to trust appearances. It may look as if Ferdinand loves Miranda, but Prospero is determined to test the strength of this love. ‘They are both in either’s pow’rs: but this swift business I must uneasy make, lest too light winning make the prize light.’  

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It may be of importance to question if Prospero is as affectionate and kind as he suggests. For instance, he tells Miranda that ‘I have done nothing but in care of thee/ of thee my dear one; thee, my daughter,’ although it was his behaviour that caused Miranda’s fate in the first place. His attitude towards others, as I pointed out earlier, should also be considered. He appears to love Ariel; ‘Do you love me master?’ asks the spirit. ‘Dearly, my delicate Ariel.’  Nevertheless he can behave cruelly to him, ‘…malignant thing! Hast thou forgot the foul witch Sycorax, who ...

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