Background on Dr. Jekyll and Mr. Hyde

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The Strange Case of Dr Jekyll and Mr Hyde was published in 1886 and is one of the best known of Stevenson’s novels. It concerns the way in which an individual is made up of contrary emotions and desires: some good and some evil. Through the curiosity of Utterson, a lawyer, we learn of the ugly and violent Mr Hyde and his odd connection to the respectable Dr Jekyll who pays out a cheque for Hyde’s despicable behaviour. A brutal murder follows. The dead man is one of Utterson’s clients, Sir Danvers Carew. The murder weapon was, unbelievably a cane Utterson had given to Jekyll. As such, the lawyer becomes entangled in the strange world of the physician Jekyll who it transpires has created a drug that separates his good and evil natures - purifying the doctor himself but with the ghastly side effect of periods spent as the monstrous Hyde. We follow Utterson as he investigates with Poole, Jekyll’s butler, the seeming contradictions in the doctor’s actions and his increasingly hermit-like existence in his laboratory. As the truth is about to surface, tragic events occur that end the whole affair dramatically and conclusively. Dr Jekyll and Mr Hyde was a great success and it followed 1883’s fame-bringing Treasure Island (Stevenson’s first full-length novel).

Background on Dr. Jekyll and Mr. Hyde:

The Strange Case of Dr. Jekyll and Mr. Hyde was written at Bournemouth in 1885, when Robert Louis Stevenson was convalescing from an illness. The original idea occurred from a nightmare, from which his wife Fanny awaked him. Stevenson was upset that she had interrupted a "fine bogy-tale" and eventually developed the idea into a full-length narrative. Originally, the tale was a straightforward horror story, with no allegorical undertones. After reading the original version to his wife, however, she suggested that more could be done with the story and after initially resisting, Stevenson burned the initial manuscript. The rewriting of the new Jekyll and Hyde took a scant three days.

Immediately upon its publication in January of 1887, it was recognized as a grand work. An anonymous review in The Times praised the book highly, observing that "Nothing Mr. Stevenson has written as yet has so strongly impressed us with the versatility of his very original genius," concluding with the plea that the story "should be read as finished study in the art of fantastic literature." Critics claim that Dr. Jekyll was the first time Stevenson sustained a full-length narrative that was not only exciting, but also a well-composed story with a powerful parable.

The Strange Case of Mr. Jekyll and Hyde is a book based on Robert Louis Stevenson's own experiences, especially with middle-age men in Edinburgh and London (this, therefore, is one of the explanations of a lack of female writers). He focused on a milieu he knew well: the clubby, middle-class world of powerful men. And what he knew best about that milieu becomes the driving force of the novel  it was a world in which façade counted  the cut of one's suit, the social status of one's friends. Above all, this was a world of appearance not substance. Stevenson's target, therefore, is hypocrisy  not heterosexual or homosexual sin, as sometimes implied by his contemporary critics. On the release of the novel, one homosexual friend of Stevenson wrote, upset, "I doubt whether anyone has a right to scrutinize the abysmal depths of personality ." In response, Stevenson wrote "Jekyll is a dreadful thing, I own; but the only thing I feel dreadful about is that damned old business of the war in the members. This time it came out; and I hope it will stay in, in future." Clearly, Stevenson believed that his novel explored the hypocrisy of his time as well as the innate evilness that occurred in society.

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Stevenson's idea, however, was not completely originally, he had encountered precursors to his tale long before he wrote Jekyll and Hyde. The fictions most frequently cited as having had an influence on Jekyll and Hyde are E.T.A. Hoffman's The Devil's Elixirs" (1816), Thomas Jefferson Hogg's The Private Memoirs and Confessions of a Justified Sinner (1824), Edgar Allan Poe's "William Wilson´(1839), and most significantly, Theophile Gautier's Chvalier Double." (1840) Gautier's story centers around a protagonist, Oluf, who has a double nature and leads a tormented life, much like Jekyll and Hyde.

The gap between the film and the print version ...

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