Commentary on 'My Last Duchess' by Robert Browning

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Commentary on ‘My Last Duchess’ by Robert Browning

The poem ‘My Last Duchess’ by Robert Browning is written in the form of a dramatic monologue. The character performing is that of the Duke of Ferrara. He is speaking to an emissary of the Count, whose daughter the Duke hopes to marry. Through the piece the reader gains a clear insight into his character.

The poem is written in iambic pentameter with heroic couplets throughout it. However without carefully examining the poem this is not readily apparent. Through the punctuation’s position Browning creates an enjambment effect throughout the poem. In how he structures the sentences in this way, the rhymes that form the heroic couplets become less intrusive and actually disguise their presence. Without the rhymes being so intrusive the author establishes a much more conversational feeling to the poem which is appropriate as the Duke is actually talking to someone.

Also through the rhymes being concealed somewhat, the mastery behind the layout is hidden (to the casual reader) and the sense of a lack of control or a defined structure within the poem is also created. This is taken even further through how Browning inserts the most casual of phrases into the Duke’s dialogue such as ‘A heart-how shall I say? -too soon made glad’, seemingly making his speech much more spontaneous.

However this apparent lack of control throughout is contrasted strongly through how Browning tells the Duke himself could not control the Duchess as well as he would have liked. It is strongly implied in the text that the Duchess is dead and that he was somehow responsible it. The reasoning behind his will for her demise seems to be because of her interaction with other men:

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‘Too easily impressed; she liked whate’er

She looked on, and her looks went everywhere.’

Her interaction with other men is something he obviously could not control but through taking charge of the situation and killing her himself (or just being behind her death in some way) his control is asserted once again. This attitude towards her interacting with other men is reflected brilliantly through how the Duke keeps her portrait covered and the only time anybody else can see it is when he draws the curtain himself (just like he would have only allowed her interaction with other men if ...

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