Compare the opening scenes of the two film versions of Great Expectations and review how effective they are in creating tension.

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Compare the opening scenes of the two film versions of Great Expectations and review how effective they are in creating tension.

The films that will be covered in this essay, focusing on the films’ portrayal of the opening two chapters of Great Expectations are David Lean’s 1945 and the BBC 1997 versions.

The David Lean version begins with the first paragraph of the book, read by a narrator, then a dissolve into a tracking of Pip running towards the graveyard.  To give a tense atmosphere the set is dark and deserted, and the sun is setting, casting a gold tint over Pip, and sound effects of the wind howling have been added.

When Pip reaches the graveyard he begins to wrench out the dead flowers from his mother’s and father’s graves, but suddenly stops and looks around, making the audience wonder what will happen next.

Sound effects of the trees creaking are added, and there is a close up of several trees swaying.  This creates tension by letting the audience know something is going to happen, but they don’t know what it is.

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Pip suddenly begins to run out the graveyard but is grabbed by the escaped convict who was lurking behind him.  Pip’s scream jogs the audiences’ thoughts of what will happen out of their head, making them jump slightly.

In my opinion, I don’t think the escaped convict is as realistic, in this version, as the prisoner in the BBC version, though, the close up of him threatening Pip was effective in creating tension because it lets the audience see him from Pip’s point of view.

I think that the part when Pip trips over when running out ...

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