Compare the treatment of time in Bysshe Shelley's "Ozymandias", Shakespeare's Sonnet LXV "Since Brass nor Stone", Shakespeare's Sonnet II "When Forty Winters", Robert Herrick's "To the Virgins, to Make Much of Time".

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                                  4th Form GCSE Poetry Coursework Assignment            Josh Day

“Compare the Treatment of time In the Selection of poems you have Read”

The four poems I will be doing are:

        Bysshe Shelley’s “Ozymandias”

        Shakespeare’s Sonnet LXV “Since Brass nor Stone”

        Shakespeare’s Sonnet II “When Forty Winters”

        Robert Herrick’s “To the Virgins, to Make Much of Time”

All of these poets talk about the destructive power of time. There are two very different ways that you can look at the destructive power of time. One is where time can mature and enrich people or wine, generally a good view of time. The other is where time destroys everything in its path, like the fall of an empire. All of the poems we have studied focus on the destructive power of time.

        I believe that the passage of time is a destructive force and that the poems using that view are better as they are more powerful and display strong images about time. Even though a child will grow and mature they will die in the end like everything in the world. So I believe “There is no defence against time’s scythe.”

        In “Ozymandias” Shelley writes ironically about how time can ruin the greatest men in their day. It talks about a ruined statue of an ancient ruler of an “ancient” city. This means that time has destroyed his city and his entire empire has been reduced to “lone and level sands” that “stretch far away.” Shelley uses alliteration here to speed up this line and it makes you read it faster. This emphasises the rapid flow of time. The regular metre and short lines, speeding up the poem and showing us the endless passage of time, reinforce this. The irony in Shelley’s “Ozymandias” is that the face of the statue is smirking at the world, but now it is time smirking at him, as his face on the statue is “half sunk” and “Shattered.” Also the rest of the statue is wrecked beyond repair and you can see his face buried in the sand and just two giant “Trunkless legs of stone” This image is ludicrous. In the pedestal below the statue there was written here stands the “king of kings” and the “Mighty Ozymandias” is here. This is time’s ultimate destruction of a man as he is reduced to two legs and a buried face. Also his prized statue is a “Colossal wreck”

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        This Sonnet is fairly irregular in its rhyme scheme. It is mostly in Iambic pentameter but the first word in the fourth line of the sestet is a trochee and this creates emphasis on the word “Nothing.” This is one of many images about the lonely and barren land around the remainder of the statue. The surrounding land is “Boundless and Bare” showing no sign of life. This shows us that time removes all life even from the greatest empires.

        

This image is also seen in Shakespeare’s sonnet LXV: “Since brass nor stone nor earth, nor boundless sea” ...

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