Compare 'To His Coy Mistress' by Andrew Marvell with 'Sonnet 138' by William Shakespeare. Do they present love in similar ways? How sincere do they seem to you?

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Debbie James

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Compare ‘To His Coy Mistress’ by Andrew Marvell with ‘Sonnet 138’ by William Shakespeare.  Do they present love in similar ways? How sincere do they seem to you?

I am comparing ‘To His Coy Mistress’ by Andrew Marvell (1640) and ‘Sonnet 138’ by William Shakespeare (1590).  The similarities between both poems are that they both use a certain amount of syllables throughout each poem.  ‘To His Coy Mistress’ uses 8 syllables per line, and ‘Sonnet 138’ uses 10 syllables per line.  Another obvious similarity is that they both end with a couplet.  They both also tell a story.  The differences in the poems are that ‘To His Coy Mistress’ is arguing why they should get on with life, and Carpe diem whereas ‘Sonnet 138’ is telling us about how he doesn’t trust her, yet he loves her.  They use different styles, because Shakespeare uses alternate rhyming lines whereas ‘To His Coy Mistress’ uses couplets most of the time.  They also present different ideas.  The first (‘To his Coy Mistress’) gives the impression that women are shy and need encouragement whereas ‘Sonnet 138’ shows that they lie and trick men.

‘To His Coy Mistress’ is the title of the first poem.  It implies that she is a shy mistress and it does not mean, as it does today, that she was a secret lover and doing it deceitfully behind a man’s wife’s back.  It just meant his girlfriend.  ‘To His Coy Mistress’ meant to his shy girlfriend.  The poem is a three-stage argument.  It starts with the ‘if’ stage.  If we had enough time I would spend all the ages of this world loving you, I would spend all my time flattering you and praising you’.  The next stage is the ‘but’ stage.  It is telling her that we don’t have all the time in the world and we are soon going to die.  The third stage is the ‘therefore’ stage.  This is concluding the argument saying so we must go and get on with it.

The first stage is saying if we had enough time, I could spend all the ages of this world loving you and flattering you until you were content.  I would spend all my life giving you everything you deserve and you could be in one place and me in another, but it wouldn’t matter as time will never run out and we will always be in love.  Marvell then goes on to say that he would have loved her before God sent the flood and that she could refuse him forever if that was what she wanted.

‘And you should, if you please, refuse

Till the conversion of the Jews’

This quote shows that she could say no to him for as long as she wanted, even until all the Jews were converted to be a Roman Catholic.  At the time this seemed very unlikely, as Jews were being persecuted for their beliefs and refused to change their religion.   Marvell then tells his lady that his love for her would grow and grow without ever dying out.

‘My vegetable love should grow

Vaster than empires, and more slow’

In this line ‘My vegetable love’ is a double entendre, because he is talking about himself but he is also saying that their love would develop naturally and grow to be bigger than the empire, but, it would be taken nice and slowly.  In the next few lines he starts to praise her body by starting at the top.  He praises her eyes and her forehead, as it was considered beautiful if you had a white forehead. If you did have a white forehead it showed that you didn’t have to go out to the fields working.  He says that to her head he gives one hundred years of praise and two hundred years to adore each of her breasts.

‘An age at least to every part

And the last age should show your heart’

This shows that he wants to spend time loving her and then finally she would say she loved him as she could admit what her heart really wanted by saying she loved him so that they could finally be together as she was sure he was what her heart wanted. The last couplet in this stage of the poem is:

‘For lady you deserve this state;

Nor would I love at any lower rate’

This suggests that he would spend all these hundreds of years flattering her if only they had the time to do it.  The tone of voice in this section is flattering her and always trying to impress her. He never speaks negatively in this paragraph and makers her feel wanted and loved.

The second part of the poem is aimed to frighten her into going to bed with him.  This part of the story is telling her that we don’t have all the time in the world and I can’t spend all this time flattering you and loving because time will run out on us, and we will die too soon.  The first two lines of this stage gets straight to the point after he has spent all the time flattering and praising her.

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‘But at my back I always hear

Times winged chariot hurrying near’

This line is clever because ‘Times winged chariot’ is a metaphor for death.  It is saying that death is always creeping up on you every second of every day of every week of every month.  It will never leave you alone until it has caught you.  The poem then carries on to say that we must hurry because after death there is nothing. No afterlife, no heaven, no pleasure.  

‘And yonder all before us lie

Deserts of vast eternity’

This is saying that ...

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