Comparing The Sun Also Rises and The Great Gatsby.

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Tim Flynn

English 3 Honors

Comparative Essay

Period 8

Though both The Sun Also Rises and The Great Gatsby present characters that confront the disillusionment of the Lost Generation, Hemingway and Fitzgerald, in their respective works, create main characters whose behaviors contrast each other significantly. While both authors shared the sentiment of detachment and cynicism that accompanied the post war era of the 1920’s, the way in which the main characters in these individual novels approach such mind-sets is of great and considerable difference. Direct contrasts of behavior between Jake Barnes and Nick Carraway lie in the sincerity of their respective relationships, their attitudes on escapism and alcohol, and their interactions with women.

   The way in which Barnes and Carraway behave in their respective relationships exhibits the great contrast between them. Of all the friendships and romances in both novels, Carraway is the only individual to perpetuate a bond (in his case with Gatsby) that is sincere and without pretext or judgment. Nick genuinely admires Gatsby despite his faults caused by the pursuit of his tragic dream; Nick views the friendship as “an extraordinary gift for hope” (6). Though it is Nick’s being “privy to the secret griefs of wild, unknown men…” (5), that allows his friendship with Gatsby to flourish, no prevarication upon that relationship exists because Nick is “ inclined to reserve all judgments” (5), a trait not inherent in Hemingway’s Jake Barnes. Barnes, unlike his Gatsby counterpart, holds nothing but opinion and arguably contempt for his supposed best friend Robert Cohn. Primarily, Jake’s spite is propelled by his ramped anti-Semitism seen in his  describing Cohn as having “a hard, Jewish, stubborn streak” (18) and his jealousy of Cohn’s brief sexual relationship with Lady Brett Ashley. Jake’s apathy toward the friendship is cemented in his response to Cohn’s having told Jake he was the best friend he had; Jake proclaims in his inner monologue “God help you” (47). More to the point, the degree by which each character supports his friend’s romantic pursuit is also dissimilar. Though Carraway wishes Gatsby’s pursuit of Daisy was done with more caution, he acknowledges that it is his passion and that “no amount of fire or freshness can challenge what a man [Gatsby] will store up in his ghostly heart.” (101) Though this pursuit is really a tragic infatuation, Nick holds Gatsby in a romantic and loving light because he is seeking to fulfill his dream. Nick’s understanding and compassion for his friend is further exhibited in his consoling Gatsby the night after he waits for Daisy outside her house “I [Nick] didn’t want to go to the city. I wasn’t worth a decent stroke of work but it was more than that – I didn’t want to leave Gatsby. I missed that train and then another before I could get myself away.” (161) In contrast, Jake “did not care.” (198), as to the romantic hardships Cohn experiences as a result of Brett’s promiscuity. Similar to the effects of Daisy’s decision to end her affair with Gatsby, Brett’s decision to end her affair with Cohn leaves her other half feeling lost and distraught; sentiments to which after having seen and heard, Jake only replies “Well…I’m going to take a bath.” (161) Its evident here as it is early in the novel, that the friendship between Barnes and Cohn (at least for Jake) is a complete sham. On the whole, all of Jake’s relationships in The Sun Also Rises exhibit fabrication. Jake rarely makes any admissions unless they’re to himself and those who confide in him, do so only when inebriated. Though Jake truly does find friendship in the company of Bill, his confiding that he had loved Brett “Off and on for a hell of a long time.” (128), is tainted because it comes only under the influence of alcohol. Though Jake makes many inward “intimate revelations” (6) yet he does not have the “aficion” (152) Carraway has for maintaining character and value in friendship.

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In addition to each character’s interactions in relationships, great contrast between both Nick and Jake is exhibited in their attitudes toward and engagements in alcoholic consumption. In the microcosm that Jake and his acquaintances live in, drinking is the prevailing destructive and escapist activity. Jake’s dinner with Brett at the novel’s end exhibits this as Jake orders and consumes three bottles of wine by himself and then proceeds to order two more; when Brett asks Jake not to get drunk he replies “How do you know?” (250) Jake drinks to alleviate the pain caused by his impotence and subsequent inability ...

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