Consider Dickens' use of settings in the novel Great Expectations.

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GCSE English / Literature Coursework

Pre 1914 Prose: Great Expectations

Consider Dickens’ use of settings in the novel Great Expectations

       Great Expectations is the story of a young boy called Pip’s physical and emotional journey. The story starts when Pip meets an escaped convict in a churchyard near his home and gives him food and drink. The convict then disappears and is eventually recaptured. Then Pip is sent to Satis House which is occupied by an old woman called Miss Havisham, there Pip is attracted to her daughter, Estella. Later Pip travels to London where he is to be trained as a gentleman, paid for by an anonymous benefactor whom he presumes is Miss Havisham. Pip stays in London for many years and in due course learns that Magwitch, the convict, is his benefactor. This shatters his dreams of marrying Estella and as the story unfolds he learns that Magwitch is Estella’s father. Pip is unable to marry Estella until he returns after eleven years in Cairo and meets her again; Pip is sure they will always be together.

       The novel Great Expectations bears a direct relation to Dickens’ own life. Many of the events and characters featured are based upon experiences that Dickens had. Like Pip Dickens had many great expectations but these were to quickly diminish as events in his life took a turn for the worse. Pip’s actions and emotions in the story reflect those of Dickens himself. There are certain themes and morals that the book explores which Dickens chose to include; that money causes greed and corruption and that family and friendship is more important.

       There are three key settings in the novel; Satis House, London and Walworth; the first setting is Satis House. When Pip first enters through the gates of Satis House the ‘cold wind’ is described as blowing ‘colder there, than outside the gate’. There is an eerie feel to the house and its surroundings. It is dark and dismal; ‘a deserted place’ which seems to have lost all activity and purpose. It seems lost and isolated; it’s ghostly and uninviting and seems somehow dead. Signs of past activity are present, a ‘large brewery’, a ‘dove-cot’, a ‘stable’ and a ‘sty’ but all of these are disused and have fallen into a state of decay. There are no ‘pigeons in the dove-cot’, no ‘horses in the stable’ and no ‘pigs in the sty’. The large brewery where ‘they used to make the beer’ is neglected and all the ‘uses and scents’ have long since disappeared. Empty casks and vats litter the area, a ‘sour remembrance’ of better days. A ‘rank garden’ lies near to the house, ‘overgrown’ and filled with weeds. Dickens makes it seem that once there was life there, once flowers would have blossomed in sunlight, animal sounds and the smell of fermentation would have filled the air. But now everything is abandoned and uninhabited.

       The house itself is ‘of old brick, and dismal’ and ‘a great many iron bars’ covering its surface. Many windows are ‘walled up’ and others are ‘rustily barred’ as if providing a barrier to the outside world. With its high walls and barred windows there is a strong comparison with a fortress or prison; no-one is supposed to go in or out. The house was once very impressive but it has been left to rot and its appearance has been spoiled.

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       An elderly woman called Miss Havisham occupies the house, along with her daughter Estella. To Pip, Miss Havisham is the ‘strangest lady’ he has ever seen. She is wearing a very old and faded wedding dress and is sat in a large dressing room lighted by candles; there is no daylight. Everything in the room, Pip realises, is old and ‘faded’. Everything that ‘ought to be white’ is not and has ‘lost its lustre’, just like Miss Havisham. Pip describes her as a ‘waxwork’ and a ‘skeleton’ because she looks so pale and lifeless. Pip begins to ...

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