Consider the ways in which the audience response to Eddie Carbone changes over the course of the play. Choose three sequences in which Arthur Miller presents different aspects of Eddies character. Make use of textual evidence to support your answer.

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Erin Bensley

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‘Drama Focus’

English Coursework

A View From The Bridge

Consider the ways in which the audience response to Eddie Carbone changes over the course of the play. Choose three sequences in which Arthur Miller presents different aspects of Eddies character. Make use of textual evidence to support your answer.

Arthur Millers play ‘A View From The Bridge’ is set in Red Hook, a slum area, in Brooklyn in the 1950s. In the 1950s there was a thriving trade in illegal immigration, encouraged by the dockyard owners, who knew that they could get cheap labour from the immigrants until they had paid for their passage over.

 

  Arthur Miller was born into a Jewish family in New York in 1915. When the family business failed, they moved to Brooklyn, where ‘A View From The Bridge’ is set. He worked in the Brooklyn shipyards for two years, where he befriended the Italians he worked alongside. He heard a story of some men coming over to work illegally and being betrayed. This story inspired him to write ‘A View From The Bridge’ which was written in 1955. The play is a tragedy which traces the downfall of Eddie Carbone. Miller’s plays make important social and political comments reflecting Miller’s belief in communism.

 

  Throughout the play Eddies character changes and the audience’s view of him changes as well. Eddie works at the shipyards of Brooklyn and lives with his wife and his niece. The sequences that show how Eddies character changes throughout the play are; Firstly in Act 1 when Catherine asks Eddie if he likes her skirt and he says that it is too short and he does not like the way in which she has been dressing recently. Secondly in Act 1 when Marco and Rodolpho have arrived and Eddie starts to address more to Marco rather then Rodolpho because Rodolpho is beginning to show that he has a sense of humour and Catherine finds him amusing and Eddie does not like this. The third of the sequences is in Act 2 when Eddie tells Beatrice that she can not go to Catherine and Rodolpho’s wedding because he does not approve of the marriage.

 

  The first sequence that shows one way in which Eddie acts as a character is in Act 1 when Eddie tells Catherine that he does not like the way she has been dressing. Eddie does not like the fact that Catherine is growing up, he feels that if she grows up she could grow apart from him. When Catherine asks Eddie if he likes her skirt he comments “I think it’s too short aint it?” This emphasises his disapproval of the clothes she is wearing, he again feels that she is growing apart from him. Miller portrays this by making Eddie seem like a caring person and wanting the best for Catherine by making Eddie look worried about the clothes Catherine is wearing. The audience will see Eddie as a fatherly figure and a bit of an overprotecting man, making the audience maybe wonder about whether Eddie means to be this over protective or if it just comes naturally to him, or the audience will notice him as being a lover of Catherine and he will be getting jealous of all the looks that other men are giving her. Arthur Miller portrays Eddie to be either of these and he wants the audience to see that Eddie is acting as a bit of both.

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  Eddie also claims that Catherine is “walkin’ wavy” highlighting the fact that he does not like her wearing high heels which are making her walk wavy. After Catherine realises that Eddie Disapproves of the clothes that she wears Catherine is “almost in tears” because she would like him too approve of what she is wearing. This portrays Eddie as being a fatherly figure to the audience. Miller wants to portray this at the start of the play as he wants the audience to see that Eddie is now acting like more of a father, even though there ...

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