Contrasts in Wuthering Heights by David Westmoreland
There are many ranging contrasts in Wuthering Heights of status, situ, and relationships. These are used deliberately for a variety of effects throughout the novel; I will try to inform you of the differing styles and contrasting actions and emotions Emily Brontë uses and possible suggestions why she has chosen to use them.
Lockwood, the first narrator of the novel, expresses his unfamiliarity with the Yorkshire moors. Here we experience the contrast of a polite and business like tenant who is a stranger to both the area and the family, with the rough hard edged approach to people, that Wuthering Heights portrays in the Yorkshire moors.
Love and hate, two contrasting but interlinked emotions, are a necessity to both the story and interactions between characters in Wuthering Heights. At the beginning of the story, when Heathcliff enters the Wuthering heights household he is hated by his new brother and sister, Catherine ‘showed her humour by grinning and spitting at the stupid little thing’ (p36). However, her hate is soon turned to love, as she turns to Heathcliff as a soul mate. However, in contrast to Catherine’s response, Hindley never forgets the hate he acquired for Heathcliff. Hindley continues to destroy Heathcliff’s childhood with physical and mental abuse inflicted upon him, this hatred is one of the main themes of the novel, as this gives Heathcliff a motive on which to return and take revenge.