Directing the Merchant of Venice.

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By Jenny Hall, 10T                                                

English Coursework, First Draft                        

                                                                        Directing the Merchant of Venice                                                                                                      

   I will be directing a section from he Merchant of Venice, from lines 121 to 397 on Act 4 Scene 1, the court scene. I will have to create and maintain tension, whilst keeping the audience entertained throughout this court scene. I will be taking the following points into consideration:

The set: My production will be set in the 1500’s, Shakespeare’s time. I will produce a detailed drawing of the courtroom, showing where everyone will be sitting.

Props: Due to the century I will be setting my production in, the amount of props will be kept minimal. There will just the basics, including some scales to weigh the pound of flesh, the Duke’s hammer which he slams down on the tables of the prosecution, defence and legal teams. There will also be a long, sharp knife belonging to Shylock.

Lighting: As this production will be set in the 1500’s I have to take into consideration the fact that there will be no modern lighting or special effects. I will use a natural source of light, such as sunlight coming through a stained glass window and onto the person speaking. This is also ironic as sunlight represents purity and innocence, something that is vitally important in a courtroom.

Movement: The Duke, (the leading man of power) will walk around the court and bang his hammer down on the tables of the people in the court to create excitement and tension. Shylock will walk and move smoothly and confidently, laying back in his seat, while Antonio will constantly be sweating, shaking nervously and when he walks or stands up he will do so in a quick nervous jerks. He will be leaning forward in his seat.

Costumes: As my production is set in the Shakespearean period men played the few women parts. When Portia and Nerissa came in disguised as men I would have them wearing wigs tied back in bunches and I would make them wear exaggerated moustaches. I have drawn simple drawings of what I want Shylock, Antonio and Portia/Nerissa to look like.

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   The first line I will be directing is Bassanio saying, ‘’Why dost thou whet thy knife so earnestly?’ He will move forward slightly, and deliver this line in a whisper, in an attempt to try and scare the audience, who already know that it is being wet in preparation for the cutting of Antonio’s pound of flesh.

   Shylock will answer angrily, emphasising the words ‘cut’, ‘forfeiture’ and ‘bankrupt’, whilst pointing towards Antonio, hoping to gain some pleasure from Antonio’s fear.

   Gratiano tries to get around Shylock in his first speech by saying ‘Not on thy sole, ...

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