Discuss the effectiveness of the opening ofTim Burton's 'Edward Scissorhands'

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Khalil Thirlaway, 10JS                                                                28/12/03

English GCSE Media Coursework

Discuss the effectiveness of the opening of

Tim Burton’s ‘Edward Scissorhands’

In this essay I will examine the dramatic and cinematographic devices used in the opening of Edward Scissorhands to create an effective introduction. The scenes are those up to and including the meeting of the main characters Peg and Edward

In the opening scenes, Tim Burton sets out the moral message of the film. In making Edward Scissorhands he intended to ‘deflate the American Dream’, exposing the rotten core of society that hides beneath a pretty façade. This is achieved by establishing two conflicting worlds inhabited by people who are the opposite of each other. The theme of the two worlds is at its most both prominent here and at the end of the film when the suburban world trespasses into the ‘forbidden’ world of the mansion. The town, as we see early on, looks superficially pretty and neat with each boxy bungalow sitting in a featureless garden almost identical to the next. Nothing stands out as individual and the only dwelling that differs from the rest is the mansion, which is shunned by all. As Peg visits each house the audience sees different social inadequacies through the behaviour of each housewife. The director uses these to subtly show us what is wrong with society; we are slovenly, immoral, uncaring and even fanatical. The mansion, on the other hand, looks scary and imposing from the outside and looms over suburbia like a threatening storm, but as the audience is introduced to Edward, they see that he is not a monster or a killer but a childlike boy in need of love. These inside-outside opposites embody the other main ethical message of the story, that conformity is not always good and being different doesn’t make you a ‘bad’ person.

The opening scenes also establish important information including the introduction of two of the three principal characters; establishment of many of the moods, tones and genres used later in the film; and establishment of the location and period. Location and period are almost immaterial because even though it is set in 1960s suburban America, the message is still relevant today. For instance, it would still be as powerful and relevant if it were set in present day London. One thing that the location and time period chosen give the film is a stronger sense of comedy, because the 60s was an era of garish colours and fashions that often bordered on the farcical. For example, later in the film, when Edward cuts all the women’s hair, he creates such outlandish styles that the audience would laugh at them, but the housewives all think that they’re the height of fashion and they all want a similar haircut. The drive to conform is also illustrated when Edward does a topiary of Peg’s family so the whole neighbourhood wants one too. Soon there is nothing special about topiary either.

The genres introduced in the opening scenes are diverse, encompassing horror, fantasy, fairytale and comedy. The more profound genres of tragedy and romance emerge and develop later, when guilt, sympathy and sadness are used to drive home Tim Burton’s point. The non-conformist use of contrasting genres such as horror and comedy, fantasy and romance helps to put across the message by making sure the film is so surreal that the audience does not believe it but spends more time thinking about the moral.

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The ways that the different characters are introduced are closely associated with location and are very influential in establishing our instinctive attitude towards them. The locations defined in the opening scenes create a relationship between the characters in the story. At first we get an eerie feeling from the surreal montage of images with no characters to relate to, and when we see a long shot of the mansion it seems dark and forbidding. The reverse zoom to the cosy grandmother’s cottage and the transition from blue and white into colour give the feeling of travelling in perception from ...

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