Discuss the Relationship Between Love and Death in "To His Coy Mistress" by Andrew Marvell, "The Sick Rose" by William Blake and "Remember" by Christina Rossetti.

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Discuss the Relationship Between Love and Death in “To His Coy Mistress” by Andrew Marvell, “The Sick Rose” by William Blake and “Remember” by Christina Rossetti

        I have been studying the poems “To His Coy Mistress” by Andrew Marvell, “The Sick Rose” by William Blake and “Remember“ by Christina Rossetti.  Each of the poets belonged to a different school of poetry: Blake and Rossetti belonged to the Romantics whereas Marvell belonged to the Metaphysicals.  The Romantics were six English poets: William Blake, William Wordsworth, Lord Byron, Samuel Taylor Coleridge, Percy Shelley and John Keats.  They wrote from 1789 to 1824, and they loved nature and believed love, emotions, passion and human relationships were paramount to everything else including God and religion.  They also wrote about the pathos of love – which would usually include the death of a lover.  The Metaphysicals were the poets John Donne, Andrew Marvell, Henry Vaughan and Thomas Traherne. They wrote mainly to show how intellectual they were and how intellectual they could be.  They wrote in the seventeenth century.  They too wrote about love, although they were more interested in separating and rationalizing their thoughts from their feelings.  Their poems share the common conventions of wit, rational discussion, inventiveness and they all shared a love of elaborate, stylistic manoeuvres.  The poems they wrote were more often than not in the style of an argument.  As Blake and Rossetti were Romantics, we would expect that their poems would contain natural imagery and would also be about love.  Marvell was a Metaphysical poet, so we would expect the poem to be in an elaborate style, the poet’s reasoning would also be shown in an argument, and the poems would contain rational thinking which would also been shown through the argument.  The aim of this essay is to compare and contrast the three poems and to see how they deal with the themes of love and death.

“To His Coy Mistress” by Andrew Marvell is from the Carpe Diem tradition.  Marvell attempts to persuade his lover into beginning a sexual relationship with him.  “The Sick Rose” by William Blake can be interpreted in many ways.  One way the poem can be interpreted is ‘Rose’s’ own feelings.  ‘Rose’ could be talking about how she feels.  “Remember “ by Christina Rossetti is about urging the recipient of the poem to remember her after her death, but then accepts it may be a good thing to forget her; the poem may be slightly autobiographical as she put her relationship with God first.  The themes of love and death differ in each poem.  For example death in “To His Coy Mistress” is used as a means to frighten his lover into beginning a sexual relationship.  The theme of love in “To His Coy Mistress” is used as a way to persuade his lover to begin a sexual relationship.  Death is the more dominant theme in “Remember” as love is barely mentioned.  In contrast to “Remember”, in “The Sick Rose, the theme of love is more dominant than the theme of death as the theme of love has elements of passion, love and also the pathos of love (tragedy such as death of a lover).  “Remember” deals mainly with the death rather than love, although it does mention what love leaves behind.  Blake and Rossetti were both Romantics, so their poems should contain elements of love, passion and nature.  “The Sick Rose” is a typical Romantic poem as it does have natural imagery, and does discuss love and passion.  Unlike Blake, Rossetti is not much of a Romantic.  This is because “Remember” has no natural imagery; Rossetti herself rejected love over God, although Rossetti does not mention heaven.  Marvell was a Metaphysical poet.  This shown by the way he sets out the poem, which is set out as an argument.  Metaphysicals also used elaborate styles such as personification, which Marvell uses in line 22 with the chariot.

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Marvell uses language for many different purposes such as to flatter: ”Thou by the Indian Ganges.” (Line 5), to provoke fear: “The worms shall try that long preserved virginity.” (Line 27 – 28), to amuse: “This coyness, Lady, were no crime.” (Line 2) and to persuade: “The youthful hue sits on thy skin like morning dew.” (Line 34-35). In “The Sick Rose” Blake deliberately attempts to be ambiguous.  This can lead to the poem to be interpreted in numerous ways.  For example the ‘Rose’ could be a flower or a person.  The ‘Worm’ could be seen as a literal worm or as ...

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