Do you think Eddie Carbone is a tragic hero?

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A VIEW FROM THE BRIDGE

A.  MILLER

Q) Do you think Eddie Carbone is a tragic hero?

      'A View from the Bridge' is a modernised version of a Greeek tragedy with some similarities. Miller uses the idea in different ways, for intance Ailfieri could be seen as taking on the role of the Greek chorus. Eddie Carbone plays the tragic hero. He begins as a good, honest family man who has 'a lot of credit coming.' Problems begin with the arrival of Marco and his brother Radolpho, who find shelter at Eddie's appartment. They are both illegal immigrants. Tension begins to build up when Radolpho begins to go out with Catherine who is Eddie's niece. At first Eddie's reaction seems innocent as he is being overprotective. Eventually Eddie's fatal flaw, his obsession with Catherine, which he cannot come to terms with or prevent, leads him to commit a crime that is unforgiveable in the eyes of  the Sicilian community in which he lives. Eddie is different from other tragic heroes due to his satus. Unlike characters such as Macbeth, Eddie holds a low status in society. Miller shows that 'ordinary people' can be tragic herores too.

    This play is based upon the life of Eddie Carbone who is an Italian longshoreman working on the docks of  Redhook. Eddie is an initially good character who is described as a good family man, kind to others and hard working, who is respected by his friends and family. 'He was as good a man as he had to be in a life that was hard and even.'  He also considered it an honour to let Beatrice's cousins stay at his appartment, when they arrive form Italy even when he knows they are illegal immigrants. 'Suppose my father didn't come this country and I was starvin like them over there ... and I had people in America could keep me a couple of months? The man would be honoured to lend me a place to sleep.'

    Eddie has a fatal flaw, a weakness that leads to his destruction, his incestous sexual feelings for Catherine. However, Eddie dose not consciously actknowledge these feelings and is disgusted when Alfieri hints at this. 'She wants to get married, Eddie she can't marry you' can she?'

He commits a serious crime against society and an individual. Eddie is in love with Catherine which is forbidden by society and also has a devasating effect on Catherine herself as an individual. Eddie loves her with a fanatical possessiveness which he does not understand, he wants to keep her as a child and won't let her go. This love turns into a obsession. ' lf I take in my hands a little bird. And she grows and wishes to fly. But i will not let her out of my hands because I love her so much, is that right for me to do?'  We see the effects of Beatrice's unhappiness and continued efforts to try to make Eddie force up tothe reality of the situation.

' The truth is not as bad as blood Eddie. I'm teeling you the truth - tell her good bye forever!'

    Eddie is in a state of self denial he can't admit his feelings for Cathrine even through Beatrice and Alfieri have tried to explain to him. He has the inability to face up to the truth, to the reality of his feelings about Cathrine. 'Every man's got someboby that he loves, heh? But sometimes ... there's too much ... and it goes where it mustn't.'  Eddie's stage directions emphasise his refusal to face facts, that he has strong feelings for Catherine. His reaction is to be absolutely appalled and very angry. As he never faces up to or even recognises his fatal flaw ( love for Catherine) he never makes a conscious decision about his actions until the very end of the play when he phones the Immigration Bureau. He is carried along by circumstances and reacts to what is happening around him. If Catherine had never fallen in love, had been happy to 'end up an old maid'  'Eddie would never have betrayed anyone and would never have done anything wrong. Nor it is likely that he would have ever got to the point of sleeping with Catherine or have done anything obvious to reveal the sexual aspect of his love for her. His emotions would have remained a hidden yet powerful force in his life.

    Events dictate, however, that Eddie cannot escape the flaw in his character. He is lead by fate ( all the things that happened over which he has no control; for instance, Catherine and Rodolpho falling in love) to his destiny (death ) and his inability to escape what is happening. In Greek tragedy exactly the same thing happens - forces, events coincidences over which the central character has on control; together with the fatal flaw that the tragic end to the hero's life. Eddie is pushed on by emotions he will not name or face up to and so never understands. For his reason his phoning the Immigration Bureau directly contradicts the Vinny Bolzano stroy he tells Catherine to warn her not to give the immigrants away by mistake. ' The family has no uncle that they were hidin' in the house, and he snitched to the Immigration.'

    Eddie never sits down and discuses with himself what course of action he should take or even why he is acting the way he is acting the way he dose, he simply dose things because he is a man and he thinks men should not talk about their feelings. All the major events that are turning points in his life for instance hitting Rodolopho, kissing Catherine and Rodolpho, phoning the Bureau are actions which are a result of an emotional reaction to a situation like Rodolpho going out with Catherine, his suspicion that Rodolpho and Catherine have slept together, his desire to get rid of Rodolpho and he is unable to control or rationalise what he dose. He acts in a purely instinctive way and does not 'settle for half .'

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    This portrayal of Eddie as a Greek style tragic hero is futher re - inforced by the role of Alfieri in the play. Alfieri has two parts to the play. He is a character, a lawyer and also the narrator, a commentator on the action. In the second role he is very like the chorus in a Greek tragedy. The chorus were a group of actors who discussed what was happening in the play but also took part in some of the scenes. It is also significant that Alfieri is the one to grant Marco bail althrough it ...

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