As Dorian’s sins grow worse over the years, his likeness in Basil’s portrait grows more hideous. Dorian seems to lack a conscience, but the desire to repent that he eventually feels illustrates that he is indeed human. Despite the beautiful things with which he surrounds himself, he is unable to distract himself from the dissipation of his soul. His murder of Basil marks the beginning of his end: although in the past he has been able to sweep infamies from his mind, he cannot shake the thought that he has killed his friend. Dorian’s guilt tortures him relentlessly until he is forced to do away with his portrait. In the end, Dorian seems punished by his ability to be influenced: if the new social order celebrates individualism, as Lord Henry claims, Dorian falters because he fails to establish and live by his own moral code.

I am certainly handsome, with my finely-curved scarlet lips, my frank blue eyes, and my crisp gold hair. There was something in my face that made one trust me at once. All the candour of youth was there, as well as all youth’s passionate purity. One feels that I keep to myself unspotted from the world. No wonder Basil Hallward worshipped me. I was made to be worshipped.  The gods have been good to me. But alas, what the gods give they quickly take away. I have only

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A few years in which really to live. When my youth goes, my beauty will go with it, and then you will suddenly discover that there are no triumphs left for me, or have to

Content myself with those mean triumphs that the memory of me past will make bitterer than defeats. Every month as it wanes brings me nearer to something dreadful. Time is jealous of me, and I will become sallow and hollow cheeked, and dull-eyed. I will suffer horribly. How sad it is! I shall grow old, and horrid, and dreadful. But this picture will remain always ...

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