• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Jane Eyre: The Red Room

Extracts from this document...


Jane Eyre: The Red Room From the start of this chapter, Jane's fear and suffering is more about the pain she receives at the hands of her family than the effects of the paranormal. Although on the face of it, the vivid descriptions ('every nerve I had feared him, every morsel of flesh on my body shrank when he came near me') make the scenes feel very 'Gothic', in fact they are not, because they are not about ghosts and monsters, but real life (even though it is a 'real life' that many people today could not identify with). The scene is focused more on the facts of reality: Jane has no money, no possessions, and therefore, in the eyes of many, she is not important: 'you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us'. ...read more.


The Gothic tone continues once Jane is confined to the Red Room, although there are still no real monsters, it is just Jane's overactive imagination running away with her, even if it seems real to her, and, from Bronte's vivid descriptions, to the reader as well. Jane's imagination, dwelling on the morbid history of the room, begins to torture her with the idea of deceased her uncle returning as a ghost. After Bessie and Miss Abbot exit, leaving Jane with the threat that if she does not repent 'something bad might be permitted to come down the chimney and fetch you away', Bronte sets the scene, describing in depth the large, lonely bedroom. This emphasises the division between the real things that are there, that Jane can see and touch, and what is not. ...read more.


The ominous silence of the room is broken by her 'wild, involuntary cry' as she tries desperately to escape from the terror that her own mind has created for her. The long sentences give the paragraph a fast-paced mood, creating suspense and mimicking the panic and fear than Jane feels. In some ways Jane is the typical Gothic novel heroine, she is strong and determined, but also able to be a 'damsel in distress'. Jane plays both parts, from the gutsy individual, resisting what her family inflict upon her, to the frightened little girl, fainting when everything becomes too much. The Gothic elements in the story certainly allow Bronte to display how Jane feels; the reader can understand her fear and empathise with her, even though they do not share her experience. The nasty manner in which Jane's aunt and cousins treat her is made all the more apparent by the way that Bronte portrays it in the Gothic style. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our GCSE Bronte Sisters section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related GCSE Bronte Sisters essays

  1. The Red Room

    a tale based off a pre-Gothic plot, in the sense that the Gothic plot is composed of the mysterious castle, the cold, damp and mysterious, moonlit natural environment, the mysterious, misunderstood, enigmatic yet lovable male hero, who is only understood and cured of his inner self-torment by the marriage or

  2. With close attention to content, style and themes, examine the ways that Henry James ...

    He is absorbed in his own affairs and refuses to allow the governess to contact him at all about the children. In that sense, he is indirectly responsible for the events that befall the children at Bly. Ten years old, Miles is away at school when the governess arrives at Bly.

  1. Grim ghost story.

    Some of them were on the shelves, in glass boxes and some were put on the tall dresser. However, there was also one in between the two beds, on the small bedside table.

  2. To what extent is ‘Jane Eyre’ a gothic fairy-tale?

    It is here where she moved to Thornfield, with her aunt "relinquished all interference" and her friend Helen left "in Brocklebridge churchyard" she had no reason to stay. The change of scene, the "quiet and lonely hills [that] embrace Thornfield", where Jane had been given the job of a governess, was different than Lowood.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work