Furthermore, throughout the play there are clear signs of Raleigh’s symbolic naïve role as well as his dramatic role in the play. In the early scenes with Osborne, as the full extent of Raleigh’s naivety is revealed, we tremble to think what will happen when Raleigh comes face to face with the hard, nerve-shattered Stanhope. The conversations with Osborne are the calm before the storm when the young Raleigh meets Stanhope. For example, Raleigh tells Osborne about the ironic event of how he became stationed here. Firstly Raleigh tells Osborne about how he knows Stanhope. However Raleigh is unaware that Stanhope has become an alcoholic, even though Osborne has dropped hints into the conversation to try to put this message across. This yet again portrays Raleigh’s naïve role in the play. Afterwards, Raleigh talks about his uncle, a General back in England, who assigns officers to regiments. Then Raleigh is foolish enough to say, ‘I went to see him on the quiet and asked him if he could get me into this battalion… - and next day I was told I was coming to this battalion. Funny, wasn’t it?’ Even Stanhope says ‘Extraordinary coincidence!’ Nepotism has clearly been shown towards Raleigh and it is obvious that his uncle meant to send him to the front line where Stanhope was stationed. During this exchange of words not only is Raleigh’s symbolic role as a decent but naïve youth revealed but we also feel a sense of dramatic tension being built up so he has a role as a catalyst in a dramatic sense.
At the end of the play Raleigh dies. This is not only ironic as he has been in the trenches for only three days, but it also shows wasted life and opportunity. In my opinion, the writer, R.C Sherriff has written this event in order to show the true reality of war. Many young men would have died in trench warfare, some no older than sixteen. In turn, we can see that the role of Raleigh in ‘Journey’s End’ is to symbolise the tragic truth of war and highlight the youth of some of the men. In many aspects we do not realise the youth of Raleigh until he dies, which causes us to think about how his life was thrown away and how many more years he could have had if his eagerness and naivety had not brought him to this point.
However, Raleigh is not just a symbol of youth, naivety and wasted opportunity; he also has a very important dramatic impact. For example, without him the decline of Stanhope would be unclear and not happen as quickly. From the point he arrives, tension builds up until both Stanhope and Raleigh meet, ‘Hullo, Stanhope’… ‘How did you – get here?’. Stanhope is obviously shocked and has not even politely greeted him. His response is blunt and even though there is a sense of an anti-climax up to this point it leaves a lingering tension in the atmosphere and causes us to think about what must be going through Stanhope’s mind.
Raleigh is also used to show the changes in attitude towards war. He arrives at the trenches eager and ready to fight as if the whole war were a game. However, eventually he experiences the reality of war after Osborne dies. In turn Stanhope is given a sense that life is ruined even though he tries to block out his emotions by drinking more. Furthermore we are given the impression that it was Raleigh’s fault until the end of the play when Stanhope’s true emotions are uncovered when Raleigh is dying after being hit by a piece of shrapnel in the trenches.
Overall, it is possible to see that Raleigh has various roles throughout the play. He is not only a symbol of youth but he also fulfils the role of the naïve inexperienced character whom we all pity, like the many young men who did die during the war. Furthermore he also has a dramatic impact acting as a catalyst to reveal the true emotions of others and to create a build up of tension that ties in with the build up to the big raid at the end.