Examine How Charles Dickens Portrays the Differences in Social Class of Mrs. Joe Gargery and Miss Havisham.

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Hayley Lloyd-Henry 10R

Examine How Charles Dickens Portrays the Differences in Social Class of Mrs. Joe Gargery and Miss Havisham

        During the 19th century, Britain was entering a new era. The reign of Queen Victoria had brought about many exciting propositions, with industry leading the way at the forefront. Due to the Industrial Revolution and the fact that Britain was being ruled by a woman, the action of ‘Great Expectations’ was occurring against the backdrop of major social and cultural changes. Although Britain, as a whole, was becoming exceedingly richer, the Industrial Revolution that was taking place also spawned great poverty. The working conditions in the factories were deplorable. Child labour was prevalent and the slums of large cities, such as London, bred transgression, crime and disease. Only men of property had the right to vote, so the proletariats were excluded from the political system, impeding the aristocrats to take any action on the matters of lower classed citizens. Women had few rights and little choice but to marry and upon doing so everything they owned, inherited and earned automatically belonged to their husband. It was in this underside of society and the injustices of life in Victorian Britain that Charles Dickens’ found the material for his novels. These injustices are exactly what link Mrs. Joe Gargery, a downtrodden and poor blacksmith’s wife, to Miss Havisham, an ‘immensely rich and grim lady who lived in a large and dismal house’. Mrs. Joe Gargery and Miss Havisham may be of totally divergent classes, but they both suffer the detriments of life in Victorian Britain. Although Mrs. Joe Gargery and Miss Havisham are quite idiosyncratic and eccentric characters, they are both examples of very inexorable and domineering women.

        The eccentricities of Mrs. Joe Gargery are evident right from the beginning of the novel. Mrs. Gargery was spoken about only through her husbands’ name during the whole of the novel. This can be perceived by some as being ironic, as although the wife of Joe has taken both of his names in the classical patriarchal manner, the Gargery household is anything but patriarchal. In fact, her husband is treated as little more than a child and Pip and he are the submissive ones. She was not a good looking woman, my sister; and I had a general impression that she must have made Joe Gargery marry her by hand.”  Mrs. Joe Gargery was a stern and overbearing figure to both Joe and Pip. She was a very abusive and short-tempered character, and appeared to be and almost uncaring and tyrannical sister and mother figure to Pip. Mrs. Gargery frequently menaces her husband and Pip with her cane, which she calls “Tickler” said Pip regarding his sister. She also forces them to drink a foul tasting concoction called tar-water. Right from the beginning of the novel, Mrs. Gargery makes her opinions of Joe and Pip perfectly clear. “You’ll drive me to the churchyard betwixt you, one of these days, and oh, a precious pair you’d be without me.”   Her violent and aggressive behaviour towards both Joe and Pip is probably due to her build of frustration about her life. Her fondest wish is to be something more than a village blacksmith, as she aspires to be in a better social class. She poses questions which ponder on what she would be if she wasn’t a blacksmith’s wife. “Perhaps if I weren’t a blacksmith’s wife, a slave with her apron never off.” Mrs. Joe Gargery knows that she will never be able to be an upper class citizen, but she prefers to blame Joe and Pip, so she doesn’t have to blame herself. She feels tied down by her husband’s job, and her apron symbolizes the life she has been forced to live. Especially the fact that she has been forced to look after Pip. The apron could symbolise Pip, because although she would like to wear more expensive clothes and live a better life, she has no choice in the matter, and although she would like to get rid of Pip and not look after him anymore, she has no choice in that either. Mrs Gargery has always worn that apron since Pip has been born, and Pip has always been with her since he was born.

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        “I may truly say I’ve never had this apron off since born you were. It’s bad enough being a blacksmith’s wife (and him a Gargery) without being your mother.”

As soon as the reader is introduced to Mrs. Gargery it is made very clear that she resents the fact that she has had to raise Pip as her own.

        “Who brought you up by hand?”

        “You did” said I.

        “And why did I do it, I should like to know?” exclaimed my sister.

        I whimpered, “I don’t know.”

        “I don’t!” said my sister. “I’d never do it again! I know ...

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