Explore One theme from George Eliot’s novel “Silas Marner”

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Explore One theme from

 George Eliot’s novel “Silas Marner”

In the following essay, I will be examining the way in which George Eliot has portrayed the theme of money in Silas Marner and its consequent effect on the characters, the relationship between them, and the plot.         

George Eliot herself described Silas Marner as a story of old fashioned village life and as such, it has long been a favourite amongst her novels. It combines comments on morality and religion in a narrative of life in England during the artisan industry. The story centres around the weaver of Raveloe, Silas Marner whom before experiencing the events that had a major effect on his life was just an honest individual well integrated in the church community in Lantern Yard and eagerly awaiting his wedding day. All of this, however, was to take a dramatic turn for the worse when he was framed by William Dane (who he thought was his best friend) and was said to have stolen money from the dying deacon whom he was supposed to watch. Silas was later falsely accused and consequently found guilty by the lots. His friend who betrays and blames him for the murder steals his love, Nancy Lammeter, whom he was eagerly awaiting to wed, from him.        

These events are the basis for the motivation of Silas’ alienation from society, as Eliot describes on page 11 when writing “…the past becomes dreamy because its symbols have all vanished, and the present too dreamy because it is linked with no memories,” and rejects his faith in God and evangelical beliefs. As a means of escape, he takes up weaving, as a reprieve from his inner pain and suffering.

The second chapter finds Silas fleeing to Lantern Yard, escaping from the misfortunes experienced. Eliot follows this up when writing “In the early ages of the world, we know, it was believed that each territory was inhabited and ruled by its own divinities, so that man could cross the bordering heights and be out of the reach of his native Gods…” In other words, the trust Silas previously had in faith and in the church had turned to bitterness. No longer was his trust in the Lord present in his disintegrating life. Here he leads a ‘half-life’ in Raveloe alone in his loom… and his gold which becomes his obsessive endeavour before later being replaced by the gold haired Eppie, helping to reawaken Silas to society.        

As far as the event of Lantern Yard goes William Dane, Silas’ best friend steals the dying deacons money in order to win the heart of Silas’ long time love, Sarah Lammeter and consequently land his friend into hot water. This fate is devastating for Silas, disappointed in friendship and love, and therefore opting to depart Lantern Yard and society as a whole. His gold now becomes the object of his work, and nothing but weaving his loom day and night in order to earn more of the gold matters. Eliot admits, “money had stood him as the symbol of earthly good, and the immediate object of toil… His life had reduced itself to the mere functions of weaving and hoarding, without any contemplation of an end towards which the functions tended”. Money, therefore, in this case is a replacement for all that is missing from Silas’ life and a means of filling the spiritual void left by the abandonment of religion. Money is portrayed as a replacement for human contact and faith in God.         

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The next two chapters see Eliot turning her attention to the Cass family, whom we learn, is a wealthy, prominent family of nobles headed by Squire Cass. The importance of money to Dunstan, who is portrayed as a mischievous, spiteful fellow and second born son of the Cass family, is made evident in Chapter 4. Here he resorts to stealing Silas’ gold in an attempt to comfort his own brother’s (Godfrey) financial troubles. He is forced into committing this robbery after the horse (Wildfire) which his brother Godfrey originally allowed Dunstan to sell in order to solve their financial troubles, ...

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