Explore the ways in which Lady Macbeth moves from a position of strength to one of final despair.

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Explore the ways in which Lady Macbeth moves from a position of strength to one of final despair.

14th January 2003

Katie Lowe

In William Shakespeare’s tragic play, “Macbeth,” Lady Macbeth undergoes dramatic changes in her character. At the start of the play, she is far stronger than any of Shakespeare’s other female characters, such as Viola and Olivia from “Twelfth Night” and Juliet Capulet from “Romeo Juliet.” She is, in fact stronger than most stereotypical women of Shakespeare’s time, and those of the time in which “Macbeth” was set. However, just before her death, she is transformed into a shadow of the dominant woman that she was before, plagued by guilt, and haunted by the murderous secrets of her past.

Her first appearance involves a long soliloquy in which she quickly shows her cunning and her hunger for power. She knows that she is stronger than her husband as he could be persuaded to do anything that she told him to. “I may pour my spirits into thine ear and chastise thee with the valour of my tongue,” she says, which shows that she could, and actually does, spearhead the murders that Macbeth later carries out.

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Within a very short time, Lady Macbeth has already begun to plan King Duncan’s “fatal entrance” to her home, Dunsinane Castle. She uses clever metaphors and double meanings when first introducing the idea of murder to Macbeth, such as “O never shall sun that morrow see,” and “look like th’innocent flower, but be the serpent under’t.” These could have been used because announcing her plans directly may have made the suggestion sound much worse both to Macbeth, and to herself, or it may have been that she is simply being secretive with her words.

Throughout the play, Lady ...

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