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Far From the Maddening Crowd

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Introduction

Sam McDevitt Far From the Maddening Crowd Bathsheba Everdene is the main character in the book "Far From The Madding Crowd." She is central to nearly every situation and is held in high regard by the village people. She has her ups and downs in the book, her highs and her lows, finding love and happiness, only for it to be torn away from her and handed back to her in the not too distant future! Bathsheba begins the book in a cold hearted way, first refusing to marry Gabriel Oak and then playing with the feelings of farmer Boldwood, this coming back to haunt her further in the book. ...read more.

Middle

They agreed to marry whilst on a visit to Bath and returned to Casterbrige to Boldwood's and Oak's despair as Mr. and Mrs.Troy. When Boldwood discovered the news, he was erratic in his actions. He offered to buy Bathsheba from Troy and eventually after torment from Troy, he murdered him in front of the whole of the village at a Christmas party. He then proceeded to kill himself with the same gun and in the same spot where Troy died. Bathsheba was deeply upset about the death of her husband despite the fact he declared he did not return her feelings after the death of his previous fianc�, Fanny Robbin. ...read more.

Conclusion

All in all, I feel that Bathsheba deserved to be happy, as she was an honest, hard working woman who was independent and capable. I think she was genuinely sorry for the Valentines card to Boldwood. She finally does find happiness in Oak and realises his companionship and true love is what she has wanted all her life. I think Gabriel Oak certainly was the right man for her as, like his name suggests, he was angelic, solid and dependable. This was evident when he stays by her, and by his actions on the night of the storm when he and Bathsheba worked together to cover the crops. It is evident they are in love when they cast eyes upon each other and fail to remove them for a few seconds, showing mutual unspoken understanding and purpose. ...read more.

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