Hobson is a 'parent of the period'. What changes would you make to the play to set it in modern times? What decisions would you make about its presentation? Choose a short section of the play and rewrite it in a modern context

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Hobson is a 'parent of the period'. What changes would you make to the play to set it in modern times? What decisions would you make about its presentation? Choose a short section of the play and rewrite it in a modern context. Remember to include stage setting and costume advice.

A modern day Muslim Indian family living in India, Tamil Nadu, Madurai. The scene is set in a modern day living and dining room. There is a grand door on the bottom left hand side. Next to it is a passageway. There is a small coffee table in the middle of the stage with two settees, one to the right and the other facing the audience. Behind it are two windows, which are open. Occasional sounds of cars passing are heard as well as bird chirps. There are a few ornaments on the coffee table. On the floor, to the left of the coffee table there is a magazine rack with assorted magazines and newspapers in it. In the front right hand corner there is a wooden dining table with 6 chairs around it, three on one side, facing the audience and 1 on each end. On the table there is a place setting for one. There is a plate, a glass to the right and a teacup and saucer. There is a bowl with a spoon in it, to the left of the plate and there is a hotpot directly in front of the plate. There is a newspaper on top of the plate. There is a door leading to the right wing. In the top right hand corner there is table with a computer and printer on it. The table is facing the audience but is at an angle.

Zubeda, 18, is sitting on the settee facing the audience, with her feet up on the table reading an English magazine. Next to her feet on the table is a stack of magazines. Shenaz, 16, is sitting behind the computer, typing. They are both wearing loose fitted western clothes.
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Shama, 20, enters through the passageway on the left. She is wearing a long "Shalwar Kahmeez".

Zubeda: Asalamualaycum. Pap- (looks up) Oh! Shama it is you. I was hoping it was dad leaving.

Shama: (as she walks across the front of stage and sits on the settee facing the passageway) Na. It's me.

Zubeda: (still reading) Why is he coming so late?

Shama: (she brushes her hair and begins to plait it.) He woke up late.

Shenaz: (looks up at Shama) Has papa eaten the Idlys I prepared?

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