How, and to what extent, does Baz Luhrmann create an imaginary or fairy tale world in Moulin Rouge?

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Melanie Aspin 10T        December 2002

GCSE Media Coursework

How, and to what extent, does Baz Luhrmann create an imaginary or fairy tale world in Moulin Rouge?

Baz Luhrmann uses various techniques in Moulin Rouge to create the feeling of an imaginary or fairytale world. But, Moulin Rouge has strong roots in a real club, which is situated in Monmarte in Paris, and the club still exists to this present day.

Moulin Rouge is a romantic musical in which Baz Luhrmann subjects the audience the audience to a barrage of stylish music, dance, colour, design, human passion and above all things love. There are three main characters in film, which are caught up in the love triangle of jealousy, suspicion and passion.

Throughout the film Satine and Christian’s love for each other begins to bloom. They begin to spend more and more time together, but as they do the Duke becomes extremely jealous and very suspicious. He demands to Satine that she will spend time with him. As Satine is spending more time with the Duke, the tables turn and Christian starts to become jealous.

A fairy tale is a story of magical happenings. Objects and people that appear in fairy tales are not normal, they are farfetched, and these are creatures that some one has created.

Characteristics of a fairy tale are things like magical creatures, dwarves, fairies, and other surreal belongings. Moulin Rouge reveals a lot of these characteristics of a fairy tale throughout the film. There are obvious things like the man in the moon, dwarves like Toulouse Latrec and there’s a green fairy. But there are more detailed things like all the colours, lights, sound, dancing and all of the singing.

All these features suggests that there are signs of it being a fairy tale, but to keep this film from being a fairy tale Baz Lurhmann adds drunken behaviour, sexual references, and how people actually lived in Paris at that particular time.

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A fairy tale often has a desire of love, and always ends up with the two people who are involved together being together at the end and living happy ever after. Moulin Rouge follows the fantasy of love throughout the film. Satine and Christian meet and it doesn’t take them long before they fall in love. Baz Lurhmann tries to keep things to a reality and not a full-blown fairy tale he gives it a twist. When Satine and Christian’s love is announced, everyone tries their hardest to let them be together, but they don’t live happy ever after ...

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