How are traditional American values portrayed in this post-apocalyptic world of Cormac McCarthys The Road?

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How are traditional American values portrayed in this post-apocalyptic world of Cormac McCarthy’s “The Road”?

Final Piece. Word Count:2081                                                             Marco DeRosa                                                                

 

A novel entitled ‘The Road’ sparks the image of a journey, not necessarily one concerning movement, but an experience, where by the time you reach the ‘destination’ you have either witnessed something or come-by certain things which may affect you as a person, changed the way you think or possibly had an effect on your personal ethics. For example, a mental journey, whereby somebody lives through a certain period in their life and comes out the other end with a new perspective and attitude, like in J.D. Salinger’s ‘The Catcher in the Rye’. Another type of journey is an actual physical one ‘from A to B’; at the destination in this type of journey one may feel a sense of achievement and arrive at ‘B’ with scores of anecdotes and stories that can range from little events that make a good joke to events which may actually change you as a person. Writing about journeys like these is a genre of writing in its own right: Travel Writing, an example being John Steinbeck’s ‘Travels with Charley’. The third type of journey that I associate with the phrase ‘The Road’ is the concept of being on an open road, simply going with no particular interest in where you may arrive, simply the journey itself has its importance. This may simply be on a whim or yearning for open road or maybe because of a need to travel, to not stop and just keep going and perhaps to get away from something, an example of this is the film ‘Thelma and Louise’.

This is a key image in American Culture, not only featured in many novels and films but important simply because it represents a freedom to be who you want to be. The open road offers new horizons and the prospect to witness new and unexpected things. This idea represents the liberty and freedom found in America

The way in which the protagonists travel in ‘The Road’ is not the picture perfect, open road, free spirited adventure, they rarely travel on the actual road, to avoid being seen by others who may want their belongings and food. ‘This was not a safe place. They could be seen from the road’. The iconic concept of the open-ness and the freedom associated with it is no longer present in Cormac McCarthy’s America. The idea of the road being such a dangerous and deadly place and the paranoia of the man is installed firmly in the readers head by the fourth page, when it discusses the shopping trolley the man has in which he carries all his possessions, food, blankets and tarpaulin. On the handlebars of the trolley the man clamped a ‘chrome motorcycle mirror that he used to watch the road behind him’ which shows that whoever is left in his world isn’t to be trusted and it’s a ‘fend for yourself’ environment with none of the trust and neighbourliness that America is famous for.

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In the post-apocalyptic world portrayed in ‘The Road’ we see an utter breakdown in the sense of community and the ‘love thy neighbour’ ethic for which America is renowned. In the book, the few people the man and child come across are treated with utter caution or are avoided altogether and people who need help are ignored. An example of this would be when they come across the man who has been hit by lightning and they don’t help him. The son cries for his father to help the man, but he bluntly refuses and does nothing. This is an ...

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