How do Dickens and W.W. Jacobs create a strong sense of dramatic tension in their short stories The Signalman and The Monkey(TM)s Paw?

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Hasan Khan 10M

How do Dickens and W.W. Jacobs create a strong sense of dramatic tension in their short stories The Signalman and The Monkey’s Paw?

Dickens and W.W. Jacobs create a strong sense of dramatic tension in their short stories The Signalman and The Monkey’s Paw, as both writers use a variety of techniques to develop a sense of drama and suspense that promotes dramatic tension in the stories making the texts both interesting and keeping the modern-day Victorian audience in suspense to the likes of using conflict, tension, credibility, techniques, language, setting and talismans.

Conflict and character friction is used at the start of both stories. In Jacob’s story The Monkey’s Paw the father and son appear to be playing a friendly game of chess until the father loses and quickly becomes belligerent and shouts “That’s the worst of living so far out”, he then hints that he is being aggressive because of the poor area they are currently living in, not aimed at the son. This shows that he has a short fuse and can let his anger get the best of him and soon after comes to know that, ‘the words died away on his lips, and he had a guilty grin…’ At the beginning of the Signalman the narrator and the Signalman also have a misunderstanding as the narrator calls down to the signalman; however the signalman is quite clueless. The narrator is to later find out that the signalman possibly thought of it as being a ghost that has been bothering him for a while now and therefore failed to reply. There is a powerful sense of friction and discomfort between the two characters. This shows that the characters do not understand each other too well. The writers understand that their readers will be interested in the conflicts, therefore purposely added such detail to create tension, as here we know from the start something is just waiting to happen in ‘The Signalman’ as the writer gives this away to the reader.

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The Signalman realises that he has been issued with a warning by the spectre and that he should do something about it, likewise Mr White recognises that he has a responsibility to do the right thing with the third wish and by this time the audience would obviously know what the wish would be, however to let the horror sink in, the writer leaves hints. Both characters have an internal conflict as what to do, the Signalman struggles to interpret the spectre’s warnings and Mr White struggles with his own wife who demands that Herbert is returned to ...

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