How do images of disease and corruption support the opening of "Hamlet?"

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Mandip Dhillon

How do images of disease and corruption support the opening of

“Hamlet?”

As a revenge tragedy, “Hamlet” is saturated with the dual themes of disease and corruption. However the opening of this play is particularly embedded with these themes and function as a useful indicator as to the flavour of what is to come. In this essay, I will analyse the key function of images in the opening act of “Hamlet” and examine how these images of disease and corruption create the all important tension needed to ignite this tragic play.

        Right from Act one, scene 1 the readers immediately get the impression that, there is something erroneous going on in the scene, and there is something that the guards; “Barnardo and Francisco” are frightened or troubled by. We get this intuition directly from the following quotation by Francisco;

“…’Tis bitter cold, And I am sick at heart.”

The readers get the notion of a sense of uneasiness, in the scene simply due to the mere words spoken by Francisco, the guard. This creates an image of an almost “diseased” man who is “sick at heart.” The readers believe and come up with some kind of an indication, that this guard, “Francisco” is either ill, due to a disease, which he may have, or there is something that is troubling him to such an extent that, it has made him feel “sick at heart.” Therefore as a whole this image of disease most definitely supports the opening of “Hamlet.”

        Almost, immediately after Francisco informs the audience that he is “sick at heart,” the ghost of the previous king, father of prince Hamlet appears.  This point is carefully illustrated by Barnardo’s reaction, where he informs the audience and the other guards of who the ghost is,

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“In the same figure like the king that’s dead.”

Just by the ghost of the previous dead appearing out from nowhere at the castle, immediately informs the reader that there is something most definitely wrong. There is something seriously wrong for a dead king to be coming back to the castle and then disappearing. When the ghost shows up, Horatio is told to speak to it. Charging the ghost to speak the ghost stalks off offended,

“Marcellus: It is offended.”|

Horatio, however, concludes the appearance of the ghost,

". . . bodes some strange eruption to our state."

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