How do the first two acts prepare an audience for the deaths at the end of the play? (Othello)

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How do the first two acts prepare an audience for the deaths at the end of the play?

The play opens with Iago telling Roderigo how much he hates Othello, the Moor, and his first line foreshadows the bloodshed that is to come although it is only at the end of the first act that we see the extent of Iago’s hatred. His blasphemy gives an audience some insight into his character, and shows underlying tensions and corruptions in the society’s religiousness, which also mirrors the way in which human nature is flawed. He tells Roderigo that he hates Othello because he promoted Cassio instead of himself, but his last soliloquy also shows us that he suspects Othello to have slept with his wife, Emilia, and that he will act on his suspicion “as if for surety”.  He tells the audience what he plans to do, and reveals his thoughts about Othello’s nature. The way in which he uses Roderigo shows us his ruthlessness and cunning, and he manipulates Roderigo into giving him money for his ‘advice’, which the audience knows to be false. He tells Roderigo that Desdemona will grow tired of Othello, and that then she will turn to him, and Roderigo believes him, which shows an audience his gullibility and Iago’s manipulativeness, especially after Desdemona and Othello’s profound declaration of love for each other, which also will make the audience feel more sympathetic about the way Iago plans to take revenge on Othello.

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        Iago is called “honest” by Othello, and Desdemona’s care is entrusted unto him by Othello, but the audience has already seen examples of his dishonesty in the way he is leading Roderigo on with false hopes and taking money off him, and when Roderigo leaves, he says “Thus do I ever make my fool my purse”, which again shows the audience the way in which Roderigo is being manipulated.

        Roderigo’s love for Desdemona seems mad and irrational, and he does not think for himself as much as he follows what Iago tells him. Since the audience already knows of Iago’s ...

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