How Does Arthur Miller Create Dramatic tension in Act Three of "The Crucible"

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How Does Arthur Miller Create Dramatic tension in Act Three of

“The Crucible”

The Crucible is a play about the witch trials of Salem, which took place in 1692.

Arthur Miller creates a lot of dramatic tension in the courtroom scene of Act Three. Throughout this essay I will discuss how tension is built through melodrama, anti climax, character vulnerability, motives and positioning. Focus will be on language, stage directions and effect on the audience.

Initially, I would like to review the melodrama in act three and examine how it creates tension and how this impacts upon the audience. The main part of the courtroom scene is based on melodrama and involves Abigail and all of the other girls, that have admitted seeing the devil, shout out about a yellow bird on the beams spreading its wings. Of course they had lied to everyone so that lots of people were accused of being witches and for using witchcraft against them in order that they could see the devil. The reason why the audience are so captivated with the courtroom scene is because Abigail’s secret, that she is the one using witchcraft, is almost revealed to everyone. All those people who were in jail, having been accused of being witches by Abigail and the other girls, should have found out that they could be freed because Abigail and her friends had invented a tissue of lies.

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Not surprisingly, John Proctor is driven to the point of insanity and gets himself arrested for meeting with the devil. He laughs insanely and then delivers this quote: “A fire, a fire is burning! I hear the boot of Lucifer, I see his filthy face! And it is my face and yours Danforth!” The man he refers to, Danforth, was a religious man, but after this incident quits his job.

Anti-climax creates audience reaction. The main anti-climax event was a when Abigail’s secret was going to be revealed by her friend Mary, but in the end her secret ...

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