How does Arthur Miller succeed in building up dramatic tension in the final scene of the play, 'A View From The Bridge'?

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Kajal Maisuria 11IW

A View From The Bridge

How does Arthur Miller succeed in building up dramatic tension in the final scene of the play, ‘A View From The Bridge’?

        

‘A View From The Bridge’ is a play written and directed by Arthur Miller A writer that got interested in a lower part of Manhattan which is across the Brooklyn Bridge from the richer part of New York City where the play is set. Miller’s play concentrates on a particular community full of Sicilian immigrants. This community has responsibilities towards one another, they look out for each other, but soon a character’s betrayal casts a shadow on the rest of the community, the same character that is led by fate towards a destiny that cannot be escaped.

     In the last part of the play, just before Rodolfo enters, Catherine, Eddie and Beatrice have been quarrelling about the wedding. Eddie doesn’t want Catherine to get married to Rodolfo because we learnt at the start of the play that Eddie thinks that Rodolfo ‘isn’t right’. This scene is the start of where all the tension builds up, when Eddie tells Beatrice not to go to Catherine's wedding, but betrays him and plans to go. As soon as Rodolfo comes in, Eddie’s reaction towards him makes us feel tense as if something is going to be said. Miller succeeds in building up the tension when Rodolfo says that Marco is ‘praying in the church’. This tells us that Marco might be praying for forgiveness from God. Therefore it says to us, that he might be getting revenge on Eddie for turning him in to the immigration police. Miller’s stage direction about Beatrice makes us feel tense when she ‘raises her hands in terror’. Eddie’s reaction towards Rodolfo when he enters is angry and shouts ‘get outa here’ for showing his face at his place. Dramatic tension is used when Eddie ‘has not moved’ when he acknowledges that ‘Marco is coming’ to get revenge on him. This tells us that Eddie wants to face up to Marco, that he’s not afraid of him, even though we found out that Marco is stronger than Eddie in the past scenes.

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     Just before Marco comes in, Beatrice plays an interesting role. Miller uses her character to make the tension, by her trying to get Eddie to calm down and to play the peacemaker, but the main role she plays in this scene is that what she tries to get out of Eddie. She comments on how Eddie wants something. Eddie yells that ‘Marco’s got my name’, but Beatrice realises that Eddie wants something else. The tension breaks out when Beatrice yells to Eddie, ‘you can never have her!’ This is what Eddie really wanted, Catherine, to be his and ...

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