How Does Charles Dickens Create Suspense And Fear In The Signalman?

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How Does Charles Dickens Create Suspense And Fear In The Signalman?

Charles Dickens wrote the Signalman during the 19th century. The story is about a signalman that is haunted by a spectre. A stranger (the narrator) befriends the signalman and he learns of the signalman’s past. Charles Dickens creates suspense and fear in The Signalman in a variety of ways. In this essay I will discuss how he does this.

Dickens begins to create suspense right at the start of the story by writing it in the first person narrative. He does this to put the readers into the story, to make the reader more involved and it makes us want to know what happens next. In my opinion

To add to the suspense, Dickens’ sets the story in the 19th century; during this time people were more likely to believe in supernatural happenings, they weren’t so sceptical. Thus the readers are more receptive to the idea of a ghost story than perhaps we are today.

Dickens’ sets this story mainly at night; this provides more atmospheric tension and we could perceive more strange things happening in the story. Setting the story at night creates a more gloomy setting for the story, nothing is seen very clearly and it all relates back to the supernatural thoughts of the 19th century. Modern work for television/films tends to be set at night. We have fixed ideas about things set at night.

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Dickens uses descriptive language to add to tension and atmosphere. He uses descriptive language and verbs in the paragraph where he talks about the train that passes the signal box e.g – vague vibrations and violent pulsations. He also uses language like this when he describes the settings of the story e.g – a great dungeon, a barbarous and forbidding air.    

Dickens uses different and unusual events in the story to create fear and tension. When the narrator shouts “Halloa, below there”, we expect the signalman to look up and respond, but instead he looks towards the warning ...

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