How does Fitzgerald develop your responses to Gatsby's parties from p26 the opening of Chapter 3 to p31?

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Amy Clark

How does Fitzgerald develop your responses to Gatsby’s parties from p26 the opening of Chapter 3 to p31?

Fitzgerald explores the wealth and glamour of the 1920s in the opening of chapter three.  It focuses on the gap between perception and reality and is devoted to the introduction of the main character Jay Gatsby and the lavish, showy world he inhabits.  Fitzgerald develops the readers’ responses to Gatsby’s parties by different means.  By first exposing Gatsby’s status by describing the exceptional extravagance of his house and the preparations of the party enables the reader to imagine what the parties are like.  It gives the reader an insight and an expectation so they are eager to read on.  Fitzgerald gradually builds it up until the reader is transported to the magical world of the parties and experiencing the atmosphere for themselves.  By also bringing in the social aspect through characters and the anticipation of meeting the host adds to the development of response from the reader.

The opening of the chapter presents us with an almost beautiful image of the party from Fitzgerald’s delicate description.  It portrays the carelessness of Gatsby’s guests,

“…In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars…”

A scene of indulgence and pleasure seeking is established.  Guests marvel over Gatsby’s Rolls-Royce, swimming pool, beach and hydroplane.  These are status symbols which indicate Gatsby’s wealth.  Everything is an extremity on such a huge scale, it is trying to be refined yet gives the feeling of lacking taste and class.  

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“…On weekends his Rolls-Royce became an omnibus…”

Gatsby’s Rolls Royce is reduced to just a simple bus for everyone at the weekends so therefore losing its exclusiveness.  The preparations for the party are then explained revealing what a great spectacle the party is going to be with its extravagant foods, full array of cocktails and a complete orchestra, again showing a small group of musicians would not satisfy Gatsby but an entire orchestra would.

“…By seven o’clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets ...

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