How Does Iago Convince Othello of Desdamona's Guilt?

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English GCSE Coursework

HOW DOES IAGO CONVINCE OTHELLO OF DESDAMONA’S GUILT?

‘Othello’ is a play written by William Shakespeare and was performed in front of James I in 1603/4. The play is original than most of them in those days because of having a black tragic hero. This play also contains Shakespeare’s best villain, Iago. The key themes of the play are love, jealousy, appearance, reality, light and dark.

The play Othello describes how a respected Moorish General is deceived into believing that his wife Desdamona has betrayed him with his second-in-command Cassio. The deception is planned and executed by Othello’s ensign, Iago, who claims to be jealous of Cassio’s promotion, he also suspects that Othello and Cassio have slept with his wife, Emilia. Iago uses a weak and jealous Venetian called Roderigo to help him in his plot. The play ends with Othello suffocating Desdamona and taking his own life.

Othello is thought to be a noble, trusting man and in ‘open nature’. He is very noble in his speech for instance,

“Where it my cue to fight, I should have known it…where will you that I go to answer this charge?”

He is also admired and has loyal trusting men by his side. He has lots of authority over these soldiers by his military successes and that’s why other people respect him and also find him ‘valiant’ and ‘brave’. The Venetian also rate him very highly, but he is still an outsider because of his colour.

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In this play Othello has a wife, Desdamona whom he admires, trusts, loves and has faith in her. We see this when Desdamona is called for before the senate.

“Let her have her voice”

Othello’s language changes when Iago corrupts him and wrecked by jealousy. His speech is very doubtful and the audience see this when he asks Iago to show him proof about Desdamona cheating on him.

Iago is seemingly honest, trusting and loyal through the eyes of all the characters in the play but through the audiences’ perspective it is quite the opposite. He is crafty ...

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