How does James Cameron Represent the ;Old World' and the 'New World' in his film, Titanic?

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STEPHANIE THOMPSON

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How does James Cameron Represent the ;Old World’ and the ‘New World’ in his film, TITANIC?

The film opens with a black screen and the very loud thud of a drum booming, maybe representing the certainty that in the film the ship will collide with an ice burg and be submerged. This creates a feeling of pressure and anticipation in the audience. There are also wide screen and vertical shots to create a larger atmosphere.

Straight away following this, the audience witnesses shots of the Titanic setting out on her maiden voyage from Southampton in 1912.We can see in gradual slow motion, the joyful, cheerful faces of men, women and children, waving goodbye some may be separating from loved ones. There are faces of hopefulness and suspense on their faces as they wave goodbye to their old worlds and look forward to their ‘New World’.

It is essential for the audience to realise that thee shot been shown are not a reconstruction, but rather genuine film footage. The fact that the recording is true affects the audience by reminding them that most of these cheerful, positive faces will by no means reach New York, but as an alternative will meet their death in the Atlantic Ocean hours later. The footage is in an old fashioned sepia wash, also reminding the viewers that even though this disaster happened in the last century, it is still considered to be of enormous historical significance.

Underscoring the footage of the departure scenes in Southampton, is incredibly dramatic, melancholy music, which has a memorable sense to it, possibly intentionally so, viewers that many of the passengers who lost their lives whilst on the ship, the Titanic were Irish immigrants, hopeful to falsify a fresh life in the ‘New World’.

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As the camera now zooms in, the screen then turns dark blue, and it becomes more understandable to the viewers that what they are seeing is an enormous view of ocean. As the lingering piece of music draws up to a close, the screen is crammed with the word, TITANIC, in large white capitals. The viewers are under no false impression that this is the name of the film, but as well that the film will be a monument to the sinking of the ship and all who died or lived to tell a tale.

The camera now ...

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