How does Miller create tension throughout the play? 'A view from the Bridge' was originally written as a one act play

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Rob Shanley 08/05/2007

How does Miller create tension throughout the play?

‘A view from the Bridge’ was originally written as a one act play first produced in 1955 but it was not very successful so Arthur Miller rewrote it. It was first written in verse but audiences did not respond to it; however it still uses the traditional structures of a Greek Tragedy which the play is based around.

Every scene makes its point clearly known and the tension is sustained in a pattern that reflects the sense of inevitability in Eddie’s tragedy. But to produce an accurate answer, it is necessary to examine and focus on just two scenes that show how Miller creates tension. The first scene chosen to be examined is when Eddie kisses Catherine and Rodolpho and the second being the Boxing scene when Eddie punches Rodolpho (Both scenes show the rise of tension extremely clearly)

Eddie offers to teach Rodolfo to box with the intention to hurt him. Eddie gets Rodolfo to jab at his face. Then Catherine enters the room she says "(with beginning alarm) What are they doin'?" She sees the danger in this. But Beatrice "senses only the comradeship" and lets them get on with it. But then Eddie hit Rodolfo causing him to stagger and Catherine stops the lesson. When Eddie mildly hurts Rodolpho, Miller wants it to be a warning to Rodolpho and to the audience of Eddie's strength and that he is not to be messed with. "Why? I didn't hurt him. Did I hurt you kid?" The word 'kid' is a put down to Rodolpho indicating Eddie's lack of respect for him.

At the end of Act One Marco plays a game with Eddie, "Marco takes a chair, places it in front of Eddie, and looks down at it." Marco then asks Eddie if he can lift the chair. Eddie asks "what do you mean?" Marco shows him, ("He gets down on one knee with one hand behind his back, and grasps the bottom of one of the chair legs but does not raise it.)" Eddie tries, but fails every time. Marco then shows Eddie how to do it. Marco raises the chair over his head, then

"Marco is face to face with Eddie, a strained tension gripping his eyes and jaw, his neck stiff, the chair raised like a weapon over Eddie's head-and he transforms what might appear like a glare of warning into a smile of triumph, and Eddie's grin vanishes as he absorbs his look."

Marco is showing his power over Eddie with this game. This is showing how Marco gets the last laugh. The ending of Act One foreshadows the ending of the play where Marco kills Eddie and over powers him again.

All of the dramatic tension is below the surface. The characters never show their feelings on one another openly but show it in actions or in their language. They all want to appear that they are being friendly, civilised and even having fun with each other while really there's a lot of tension under the surface.

Just before the boxing Miller uses symbolism to show that Eddie thinks there's something artificial about Rodolfo. Eddie starts talking about how they paint oranges to make them look orange. Eddie is actually relating to the physical appearance of Rodolfo's blond hair. This is also suggesting that Rodolfo is not what he seems, with regards to his intensions with Catherine, how he just wants his passport, and that he's homosexual. It suggests this because this because Eddie says that oranges are painted orange to cover its true identity. This is what Eddie is trying to say about Rodolfo, that he's artificial.

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The tension is created through the language before this event, which is brooklynese a mix between American and Italian. Eddies language is informal, informing the reader of his status, it also informs the reader of his dramatic role: ‘Il’l see ya fellas’; ‘I could tell ya stuff which you would talk to him no more.’ Arthur Miller makes the language more informal by breaking the sentences up lots, for example, commas and full stops which make the tension rise, if read in the right way, because it will be direct, fast and vigorous.

The tension is also built up by ...

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