How does Priestly shape the audiences expectations for the rest of the play? With particular reference to characterisation, plot and social / political themes.

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Clare Oswald

How does Priestly shape the audiences expectations for the rest of the play? With particular reference to characterisation, plot and social/ political themes

Priestly shapes the audience's expectations for the rest of the play, initially making the setting a family dining room of an industrial businessman on a Spring evening in 1912. The family have all sat together to have dinner and celebrate the engagement of their daughter with Gerald, son of Lady Croft. The tensions between the characters, shown in their use of language, actions and social interaction typifies in just this one family, the political tensions of 1912.  The audience, viewing it initially in Russia is looking at the play in the 1940s, with hindsight. The audience has knowledge that the family does not have, that there will be social revolution and World War I will occur. The intrigue that an inspector will call gives the audience a sense that the family will be scrutinised and their faults found out.

Priestley prepares the audience to see the characters, not just as individuals, but also as stereotypes standing for a particular attitude in English society in 1918 and the political tensions that existed at the time.  

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The stage is lit in a pink light, soft and rich. It is as if the family sitting in the dining table are almost bathed in it, seeing the world through rose-tinted spectacles. This means they are not living in the world of reality, but in a self-made paradise where everyone else is at odds and they have all convinced themselves they have the right way of viewing the world.  All the family are gathered, celebrating Gerald becoming joined in their family.

There is a maid, Edna and we hear of a cook. Clearly this family is ...

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