How does Shakespeare convey a sense of impending crisis in Act IV

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Othello Questions.

Q) How does Shakespeare convey a sense of impending crisis in Act IV?

It is typical of Shakespeare’s play in those times to have a very intense and impending crisis calling situation in Act IV; it was the climax of the play, where the audience expected maximum villainy and trouble. The three scenes in this Act compact together many dramatic moments and also help unveil Othello’s different side, a side where there is jealousy, anger and revenge, therefore helping in creating a sense of crisis.

        Scene 1 starts off with Iago and Othello, where again Iago the villainous character is corrupting Othello’s mind with false thoughts of Desdemona being unfaithful. The language used to describe her disloyalty by providing sexual imagery of a ‘bed’ and’ naked’ just infuriates Othello, and shows how Shakespeare uses language as a very essential device to stir up fury. This anger itself just emphasizes upon the upcoming crisis as a result of this jealousy within Othello. Apart from using language as a dramatic technique, Shakespeare also uses overhearing and hiding as means to warn the audience and readers that there is danger coming. Next Othello has to bear the conversation between Iago and Cassio, which is wrongly interpreted to him with the help of Iago’s evil way of talking and choice of words. Even though they are talking about Bianca Iago makes it look as if they are speaking about Desdemona, while Othello thinks that Cassio is betraying him with his wife. ‘Alas, poor rogue! I think, i’faith, she loves me’, says Cassio making it look as if he accepts his and Desdemona’s false affair, while the audience know that they are speaking about Bianca. This dramatic irony just makes Othello even angrier while he starts drawing conclusions by himself about how Cassio seems so happy, and therefore envies him. This conversation hints towards an impending crisis, but it builds up even more when Othello sees Desdemona’s handkerchief in Bianca’s hand and believes that his wife has been unfaithful. Therefore the stage directions combine with language and dramatic irony to provide a foreboding sense of crisis. After all this Othello finally decides to kill Cassio and Desdemona, he decides to poison Desdemona but Iago suggest that strangling her in the bed she has ‘contaminated’ would be appropriate, while Iago concludes to deal with Cassio’s murder. This whole plot shows the audience that there will be more suspense and crisis for them to see, while they also notice how ruthless Othello has become just like Iago.

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        During the Elizabethan times, this lack of faith in Desdemona might have been accepted because the male society was seen as being dominant over females, therefore it only seemed convincing if Othello was easily persuaded by an ironically not so ‘honest Iago’. Also this type of revenge might be seen as acceptable because it was the way people dealt with unfaithful wives and men during that time. Therefore according to the social context, women were seen as being inferior to men, and the historical context also shows that a woman’s word wasn’t as valued.

        ‘A trumpet sounds within’, as part ...

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