How dramatically effective is Shakespeare's presentation of the witches in Macbeth?

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Discuss Shakespeare’s presentation of the witches in Macbeth

You should consider:-

  • Their function and importance in the play
  • The dramatic methods used by Shakespeare to present the witches
  • The reactions of other characters
  • Audience reaction, both then and now
  • (Shakespeare’s language and dramatic techniques)
  • (The social, cultural and historical background of the play)

How dramatically effective is the presentation?

In the play Macbeth, by William Shakespeare, there are three witches, known either as the weird sisters or just as witch one, witch two and with three. None have names, and this is so that no human bond or link is made between them and the audience, and this keeps the witches characters’ very mysterious. The witches are often portrayed as old, ugly, and decrepit, but for effect they are also sometimes portrayed as young in differently styled versions of Macbeth.

In Shakespeare’s time witches were a common belief, and so for the audience of the play back then the witches would have represented something much more sinister than they do for audiences of Macbeth today. However, people had started to question both the actual existence of witches but also the powers that they possessed, and this uncertainty is reflected in the play. By this I mean that the reader cannot be sure if the witches possess powers to change the future or see into the future, or whether they merely persuade other and feed them ideas.

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        The witches use opposites to create effect in the play, the prime example being ‘fair is foul and foul is fair’. Normal characters in Macbeth do not use this language, and so the witches stand out from the rest of the cast. Throughout the play, the witches speak in riddles, and due to these riddles Macbeth hears only what he wants to hear, instead of the absolute truth that is given to him by the witches. The witches also represent temptation, much like the snake in the Garden of Eden. By telling Macbeth what he wants to hears, they tempt ...

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