How effectively do Baz Luhrmann and Franco Zeffirelli interpret Act I Scene VI when Romeo and Juliet meet?

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How effectively do Baz Luhrmann and Franco Zeffirelli interpret Act I Scene VI when Romeo and Juliet meet?

Baz Luhrmann and Franco Zeffirelli have both made productions of Romeo and Juliet. Baz Luhrmann’s version is very modern but still uses the old text. This film was made in 1997. Franco Zeffirelli sets his film with old looking sets and uses the old text. This film was made in the 1970’s.  Both films are set in Verona but the sets are very different. Franco Zeffirelli’s seems to be set in Italy, with small stone roads.  Baz Luhrmann’s version however has large open spaces, hot weather and large beaches, this give the impression of it being set in the USA.

In the first part of the scene the Capulet’s mansion is the setting for a party. In the Baz Luhrmann version the hall is quite big, the main feature is the staircase, it is the biggest thing in the room and looks very expensive, this give an idea of how rich the Capulet’s are. The room is bright but not overpowering, and often things are in a little shadow to make them stand out and look like they always are there and not just for the party to be shown off.  Money is shown a lot with large painting on the walls and the fish tank is also very big. The Capulet’s are showing money by having large things in their house. This gives the impression of things happening all the time, fury and bad things happening. In the Franco Zeffirelli version the hall looks bigger but less extravagant, it does not have main feature or any possessions on show. As it is set in the past it looks very mediaeval with stonewalls and floors. The setting is very mellow which give the impression of life and love and the future.

The lighting in each of the productions is very important, because it is a party lots of thing will be happening so light is used to pick out the things the audience is meant to be looking at. In the Baz Luhrmann version the light is put on the main characters in that shot. In some places the light is very harsh, one example is when Tybalt is annoyed, this how violence and makes his feelings shown in a very dramatic way. Darkness is used when something is being built up, the light is used on Tybalt a lot because his moods change a lot and quite quickly. The light is used differently on each character depending on their personalities. When Paris is seen he is in strong light, this gives the impression of him being to perfect maybe even dull and boring.  Things that are made of gold are also in strong light, this could be to make them stand out and show the Couplet’s money. In the Franco Zeffirelli version the light often bright but used in a different way, it makes things seem happy and gives the feeling of life and new beginnings. Once Romeo and Juliet meet in the Franco Zeffirelli version light is used a lot more. Romeo is trying to woo Juliet and trying to get her to kiss him, Juliet thinks that this is wrong and tries to stop him from doing this even though she thinks she is in love with him. When she is avoiding what he is saying the light is bright to show that she is doing good, when Romeo suggests things that Juliet feels would be wrong the light dims a little. Juliet moves into the light once Romeo has stopped talking to show that she is thinking good thoughts. In this version Tybalt is also shown in darkness when she sees Romeo and the other Montague’s, this shows him as a dark person who gets annoyed quickly and dislikes the Montague’s a lot. Once Tybalt has been calmed down by Lady Capulet he moves into a little more light but still is in darkness, this seems to show his personality and what he is thinking even though he does not say anything.

In both versions of Romeo and Juliet the characters are dress according to their personalities. The Baz Luhrmann’s version Juliet is wearing simple clothes, she has angel wings and is dressed in all white. Her hair is put up in a simple way and she is not wearing much make-up, this gives the impression of being very pure and not having much to worry about. Her mother, Lady Capulet, is dressed very differently to Juliet. She is wearing a lot of make-up, she wears wig which changes her appearance a lot and she wears clothes which make her stand out a lot among the guests. She is dressed as Cleopatra- a very powerful queen. This shows she dresses to stand out and to show her power, Cleopatra had a lot of money and so does Lady Capulet, she shows off her money with the jewellery she wears. Franco Zeffirelli shows these two characters in the same way. Juliet is wearing simple clothes, plain colours, she is not wearing much make-up and looks very natural. Everyone around her is dressed up so her being dressed down makes her stand out. Her mother Lady Capulet is very dressed up, like in the Baz Luhrmann version she is dressed up to look like a queen, which shows her wanting power and showing that she has a lot of money like a queen does. Lord Capulet is also shown in the same ways in both versions of Romeo and Juliet. In both he is dressed in robes like a roman king, this, like Lady Capulet shows that he is very powerful and dresses like someone who is powerful to show this. Tybalt in Baz Luhrmann’s version is dressed as a devil. The devil is often seen as evil and bad tempered and this shows Tybalt’s personality. He wears dark clothes and watches everyone from a corner and only moves to tell Lord Capulet that he is annoyed that the Montague’s are at the party, this gives an impression of him being very sneaky like a devil. In the Franco Zeffirelli version Tybalt is dressed in dark colours which in some places shows his personality well because he gets annoyed easily, also Tybalt wears tights, which could suggest sexual power. Merctio is a cross dresser in the Baz Luhrmann version, he seems very confident as he is singing and dancing in women clothes, he flaunts himself in front of everyone at the party.  In the Franco Zeffirelli version he is dressed like the other at the party, he does not wear anything striking because he is at a party he sound not be at. Romeo is shown like Juliet in both versions, he is dressed simply and does not stand out too much. In the Baz Luhrmann version he is dressed as a knight showing that he is a romantic hero in the film. From the styles of dress it seems Romeo is the knight in shinning armour and Juliet is the damsel in distress. Paris, the person who Juliet is being set up with is dressed like an astronaut, he seems very over dressed and Juliet does not like him, this shows that Romeo and Juliet are made for each other because they are so natural. In the Franco Zeffirelli version Romeo is not dressed up because he needs to blend in, like Merctio. He wears a lion marks to cover up who he is, this seems very appropriate as when he is in the crowed and is watching Juliet he seems like a lion.

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In the first part of the scene Shakespeare writes that the servants are getting the Capulet’s party ready. He puts in a sense of urgency into this scene, one of the servants says

“Eye boy ready’ and ‘He shift a trencher? He scraped a trencher?”

The servant is getting annoyed with stress and is complaining. Both Baz Luhrmann and Franco Zeffirelli leave this part of the scene out. This could be because both Baz Luhrmann and Franco Zeffirelli can use camera shots, lighting and sounds to show urgency of getting a big party ready. Shakespeare would have to use ...

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