How fear and suspense is formed during the two short stories ‘The Landlady’ and ‘A terribly strange bed’.

Authors Avatar

John Paul McGrath, English, Mrs Kirkham, 11 x1

A Comparative essay.

During this essay my aim is to compare how fear and suspense is formed during the two short stories ‘The Landlady’ and ‘A terribly strange bed’.

Both of these stories have different settings. In the Landlady, the setting was Bath, England. In A terribly strange bed, the setting is Paris, France. Both of these  factors cause problems when comparing the two stories. This is because the stories were written at two different times and the culture is very different in both of these countries. The currency is also different, and the language seems to be more complex,  again due to the dates that these stories were written in. The Landlady was written in 1960 by Roald Dahl, and ‘A terribly strange bed’ was written in 1856 by Wilkie Collins. Both of these stories deal with fear and suspense by using various techniques to keep the reader in suspense. I will try to compare and contrast the different methods used by both authors within the next few paragraphs.

When the first paragraph of The Landlady begins, the ‘audience’ is made aware of the surroundings. Roald Dahl starts to create fright/anticipation by providing an in depth account into the background of the story.  The account set, describes to the audience the atmosphere and gives us an insight into the kind of weather conditions within the scene. The audience is told “the air is deadly cold, and the wind as flat as a blade of ice cutting against his cheek”. This descriptive opening to the story suggests that Billy is in a hostile environment. By doing this the author is generating apprehension and expectancy.

In ‘A terribly strange bed’ we are first told of the date then the setting. The date was 1856 and the setting was France. This in itself is a major difference to The Landlady, because the setting is a different country and the date nearly 100 years earlier. We as an audience are told that the main character ‘Monsieur Faulkner’ wants to go to a gambling house. The type of atmosphere in this gambling house creates suspense for the character. We are told that in this gambling residence there was a mute silence, and that no-body spoke. “The quiet in the room was horrible”, “The dirty wrinkled old man, with the vulture eyes and the darned greatcoat, who had just lost his last ‘sou’ (Small coin of low value), still looked on desperately after he could play no longer, never spoke”.  This quote has created apprehension by giving the audience pictographic images in their minds of the setting and the type of people found there, and by suggesting that Monsieur Faulkner is in a threatening atmosphere.

Join now!

Billy Weaver is seventeen-years-old. He was wearing a new navy-blue overcoat, a new brown trilby hat, and a new brown suit. He walks briskly, as he has decided that “‘Briskness’ was the one common characteristic of all successful businessmen”. Billy is trying hard to become a businessman, because he knows that businessmen are successful. We also learn that he is gullible, weary, uncertain, and cautious and that he takes people at face value. We notice that Billy takes the landlady at face value when he says: “The old girl is slightly dotty, but at five and sixpence a night, ...

This is a preview of the whole essay